2006 Issue

2006 Issue

Click on the cover above to read a pdf version, or stop by an MCC Writing Center, Student Services Office, Learning and Tutoring Center, bookstore, or library to pick up a hard copy.

2006 Writing Awards and Selections for Print and Web

Tom Jackson is the winner of The Metropolitan’s 2006 Prize for Student Writing, a 4.5 credit hour tuition remission, sponsored by the Metropolitan Community College Foundation. The first runner-up is Jessica Shimerdla. The second runner-up is Christina Garrison.

The Dream by Tom Jackson

Two Motorcycles by Karen Kozak

Stinging March Snow by Karen Kozak

Potter’s Field by Christina Garrison

For L.3# (he melts my pride with his apathy) by Jessica Shimerdla

corpse pose. by Jessica Shimerdla

The Ethics of Using Digitally Altered Photographs in Photojournalism by Carol McCabe

Magnifico’s Secret Name by A.J. Bernhagen

Cover art: Very New Topographic Series Numbers 11 and 7 by Cliff Boler

Additional Selections by Promising Writers

Phoenix by Jake Perrigo

Without a Saddle by Luis Jaco

The Dream
Tom Jackson

I am so high in the sky, soaring like an eagle, yet
motionless. Trees and buildings dot the landscape far below me
as I gaze about the cinematic view… so high that I can see for
miles in every direction, yet so near to the ground that I can see
the faded, red chips of paint peeling back from the weathered
barn door off to my right and the brilliant green of the infant
leaves pushing skyward from the pin oak directly below me. The
tree sways softly in a silent breeze. I have never been more at
peace in my entire life—the absolute feeling of euphoria.
Muffled sounds awaken me from my trance-like sleep,
and I try to focus my attention on whatever caused this rude
awakening when suddenly a voice emerges from the din, “Tom…
Tom… Can you wake up?” A woman’s voice, not one that I can
recognize but definitely a woman’s voice. “Tom, can you hear
me?” A different woman’s voice this time. “Can you wake up
for us?” I have no idea who the hell this Tom person is, and I
don’t really care; I just want to go back to sleep and continue
my dream, but these women won’t leave me alone. The least
they could do is turn on a light, cause I can’t see shit. “What
the…?” Someone just poured warm water on my head along
with some gooey stuff, and there are fingers running through
my hair. “Ouch! Damn it, he still has little pieces of glass in his
hair,” someone blurts out, “and I’ll bet that blah blah blah blah…”
Muffled sounds again, then silence.
I can almost reach out and touch the sun, it seems so
close. There’s that same pin oak over there and the old barn off in
the distance. Dust is billowing up from behind a car racing down
a gravel road far to the north of me, but inching closer. Even
from this high distance, I can clearly make out the faces of the
passengers—a scowling woman with windblown hair, shaking
her finger over the seat at the grimy-faced little boy in the back
seat. Another small boy in the front seat is motionless, except for
the occasional flick of his tongue across the top of his Tootsie
Roll Pop.
A movement to my left catches my attention, and I shift
my gaze to see a smaller car approaching from that direction.
I’m guessing that it’s about a mile in the distance—two teenage
boys, the sandy-haired one is driving with a dark-haired boy
riding shotgun. The driver is tapping his hand on the outside
door panel while his passenger is slapping his hands rapidly on
the dashboard. “‘In-A-Gadda-Da-Vida,’ I bet,” I’m thinking to
myself, “the best drum solo ever.”
“Needles? Who the hell put these needles in my arm?
Jesus, I hate needles! Them puppies are coming out!” I can’t
believe how weak I feel, but I have to get those needles out of
my arm. I reach across my body and pull on the first one. There’s
some clear tape wrapped over it and down the sides of my arm. I
pull for what seems like an eternity before the tape succumbs and
releases its hold on my arm, dragging the needle along. I’m too
exhausted now to attempt pulling the other needle, and as I lay
my head back to rest, I notice blood pooling on my arm where
the first needle was skewering me. “Shit! I’m going to bleed
to death!” I drop my head back onto the bed and listen to the
irritating ringing noise inside my head as my vision fades.
The sun warms my face as I survey the panoramic view
from my heavenly loft. The car with Mrs. Sourpuss and company
is much closer now, and glancing to my left, I notice the small
car with the two teenagers is bearing down on the spot where
the two roads will intersect. Looking directly down, I can see
there are no stop signs or yield signs for any oncoming traffic
and can’t help but wonder which car is going to win the race to
the intersection. Even from my vantage point, it’s too close to
call. “Sourpuss is closing fast, but here comes Andretti high on
the left side charging hard! Down the backstretch and here they
come to the wire and the winner is…”
“Tom…Tom, can you wake up? You have some visitors,”
the nurse says as she cranks up the back of my bed. With sleep
laden eyes, I peer through the tiny slits of vision to see who these
dream snatchers are—two older couples, possibly in their forties
and a really good-looking younger gal. Their faces are all smiles,
but their eyes tell the real truth. It’s a cover-up, and I don’t know
why. They all approach the bed and begin touching my arms
and stroking my hair, each with their own little message. “I’m
so happy to see you awake.” “Be strong.” “Keep your chin up.”
“We love you.” “I love you…” My emotions take over, and the
tears begin to well up in my eyes. I open my mouth to speak,
but the only thing to escape my lips is short bursts of exhaled
air, and my eyes open like floodgates with tears streaming down
my face. I feel like a blubbering pantywaist watching Brian’s
Song for the first time. The strange part is that these people look
very familiar… I just can’t put names to the faces, so I begin an
intense “stare off ” with each one of the faces, hoping to trigger
something in my head or jog my memory when one of the older
ladies reaches for my hand, stroking it ever so gently and says
in a cracking voice, “I’m your mother, Tom, and standing right
next to me is your father…do you understand?” Here comes Mr.
‘I think I wet my bed’ blubbering idiot, tears streaming down
my face again with the guttural exhales of air. “And over here,”
my mother continues, “is Willard, Eleanor, and Jane. Do you
remember them?” Still blubbering, I shake my head, no. “Jane is
your girlfriend, and Willard and Eleanor are her parents… You
look tired… Why don’t you rest for awhile. We’ll walk down to
the coffee shop and come back after you’ve rested.” Mother turns
and quietly walks away with the other people following. Too
weak to watch them leave, I close my eyes and drift off to sleep.
As high in the sky as I am, the crash is deafening: metal
mashing against metal, twisting, tearing and ripping, then the
entire wreckage leaping off the ground like some deranged bull
lurching forward with one final thrust of his horns. Hovering
above, I watch, dumbfounded, as a tire breaks free, caroms off
a telephone pole and flies into the bean field. The screeching
noise of the tearing metal, the exploding glass, and the screaming
sounds of an engine racing past the red line on a tachometer are
more than I can stand. I don’t like this dream anymore…it was
always so quiet and peaceful before; now, for some insane reason,
the dream has to come alive. “Let’s get this party going…throw
in a kick-ass stereo system with a booming bass, add some
drums, maybe throw in a few explosions, and we’ll scare the
shit out of everybody!” No, I don’t like this at all. My palms are
sweaty, ears are ringing, and I start to hyperventilate.
“Tom…Tom…wake up. You must be having a bad
dream.” I open my eyes to find a nurse holding a cool, damp
cloth on my forehead. She doesn’t look old enough to be a nurse,
but the pin on her uniform has her name written with the letters
R.N. underneath, so she must be a nurse. She grabs another wet
cloth and dabs about my face. “I don’t want to rip any of those
stitches out, so I’m just going to dab around gently to cool you
down, okay Tom? You do know that your name is Tom, right?”
I nod my head to acknowledge her. “Can you say your name for
me?” I take a deep breath, trying to remember where to place my
tongue on the roof of my mouth and give it my best shot, “Tuh…
Tuh…Tom.” “Oh my God….” she stammers, “Wait…wait right
here! I’ll, I’ll be right back!” “Yeah, like I’m going anywhere,” I
think to myself, and before I can get the last word of thought
out of my head, the room begins to fill with nurses, jostling each
other for position around my bed. I feel like I’m the last clothes
rack at the J.C. Penny half-off sale, with ten frantic women
fighting for the remaining five dresses. And in that melee, the
nurse that prompted me to speak for the first time bends over
my bed until her nose is almost touching mine and says softly,
“Can you say your name again?” “Tuh…Tom,” I utter feebly. The
room explodes in giggles, cackles, and nonstop chatter. I close my
eyes and think of that damn turkey farm I worked at the summer
before my junior year in high school; the only thing missing here
was the sea of white feathers. The commotion starts to fade, and I
close my eyes.
The sky is crystal clear, and everything is peaceful
again—except for the wafting fumes of spilled gasoline
somewhere below. I’m afraid to look down, remembering
the horrible event that had taken place in my earlier dream.
I can hear the faint sounds of sirens in the distance, and as I
look around from my hovering perch, I see two ambulances
approaching from the south and two more, along with a fire
truck, approaching from the north. In mere seconds, they
arrive, and I force myself to look down. I hadn’t noticed the
highway patrol and the sheriff ’s cars until now; with the lights
still flashing on top of their vehicles, they’re out directing the
ambulances and fire truck and pointing to where each should
park. The whole place is abuzz in activity, as paramedics run
frantically to the wreck site and the firemen pull a hose from
their truck to wet down the area surrounding the wreckage. I
can hear muffled screams coming from both vehicles. A fireman
and paramedic pull the lady and a screaming child out of the
larger car, place them on stretchers, and scurry towards one of
the ambulances. I distinctly remember two children in that car
and am wondering if the other child is already in the ambulance.
Someone is still screaming in the smaller car, and I watch as the
firemen tug and pull on the twisted remains of the car to free
the teenagers. Another fireman approaches with a large,                                                                                             wedgelike contraption, dragging hoses behind him and shoves the
device in the small hole where the windshield used to be. The
machine roars to life, banging and chewing away at the metal as
the fireman guides it around the vehicle. In minutes, the metal
eater has chewed its way around the car, and four firemen lift the
top off. The screaming starts again as paramedics reach in and
pull a bloody broken body out and place it on a waiting stretcher.
The boy is not making a sound as a paramedic checks for vital
signs. Two firemen are on the other side of the car attempting
to free the other teenager. He’s still screaming as they lift him
out, place him on a stretcher, and race for the ambulance. I look
back to the place where the first boy lay on the stretcher, his
body now covered with a sheet. Sirens start blaring, and the
two ambulances tear towards the nearest hospital. They pass
a wrecker arriving on the scene, then another, and I lose sight
of them in the erupting cloud of dust spewing from the backs
of the vehicles. The two wrecker drivers exit their trucks and
confer over which wreck each will take. The firemen are loading
their equipment. The sheriff is walking up and down the gravel
road with a measuring wheel, stopping to take notes, and the
patrolman is talking to a news reporter. The area is returning to
normalcy save for a few people milling around the wreckage. I
glance back to the boy under the sheet.
“Morning, honey,” she says and gently strokes my hair,
“How’d you sleep?” “Mom, I’ve been having this dream.” “Well,
we’ll talk about that later, okay? I think it’s time to let you know
what happened…you think you’re up for this?”
I nod my head and she continues, “You were involved in a very
serious car accident and your friend, Ron, was with you.” Tears
begin to trickle down my cheeks, and I start to gasp for air.
“What…how…is Ron okay?” I ask hoarsely. “He’s recovering
in another hospital. Now, I want you to relax—you’re getting
yourself worked up.” Fighting back the tears, I whisper, “What
actually happened to me?” She strokes my hair again and instead
of answering, leans down and kisses me on the forehead. “I
think that’s enough information for now… try to calm down.”
She stares intently at me for a few minutes, stands, and says,
“I’m going to see if the nurse can give you something to help
you sleep.” “But Mom, I don’t want to go to sleep…the dream!”
I’m sobbing uncontrollably as she walks out of the room,
and the thoughts are pouring out of my head, “My God, car
accident…how…Ron… anyone else get hurt?” The facial water
bath starts again; my heart is trying to pound its way out of my
chest, and there’s a five-hundred-pound fly in tap shoes doing a
jig on my head. A nurse rushes in, jabs a needle into my I.V. tube,
and presses the plunger. Out of nowhere, my mother appears
and places a damp cloth on my forehead. Still crying, I beg my
mother, “Please don’t let me sleep! I don’t want to see the dream
anymore! I just…”
The two paramedics reach down to pick up the stretcher
holding the lifeless body when, “What was… did you hear
something?” The paramedics stare at each other, then one reaches
under the sheet and gropes to find the boy’s neck, holds his hand
there for a few seconds, and yells, “Shit, this kid’s got a pulse! Get
on the radio and call that hospital and tell ‘em we’re heading in
with a live one!” 

Two Motorcycles
Karen Kozak

Two motorcycles swept past
Tearing down the hill;
Their noisy wake swallowed up
By howling Spring winds…
Proving again, as always:
Nature provides the superlatives.

Stinging March Snow
Karen Kozak

A predicted, late March storm:
Stinging snow in the headlights;
Visibility just one car length
On the dark dangerous interstate…
I never felt so close to you,
Never loved you, trusted you more—
The Universe shrank to our front seat…
Equally amazing—we let it slip away.

Potter’s Field
Christina Garrison

Roughly on the corner of Young Street and Mormon
Bridge Road lies a cornerstone to the history of Omaha.
Bordered on three sides by Forest Lawn Cemetery, Potter’s
Field doesn’t seem like much to look at. The front gates are
adorned with a red cross made of plastic roses. Directly inside, a
dedication stone and several larger stones form a memorial just a
few feet away. The memorial stones are arranged in a circle with
a small flower garden and sundial in the middle. The stones are
inscribed with the names of the known people over the age of
two who are interred there. Two stones on the far right of the
circle provide a brief history of this cemetery.
The term “Potter’s Field” comes from the biblical passage
Matthew 27:7. A priest receives 30 silver pieces from a repentant
Judas. The priest uses the money to buy the potter’s field as a
place to bury foreigners. It was not called potter’s field to denote
ownership. It simply was called that because it was unsuitable
for crops and could be used only to dig up clay for pottery. In
modern times, the term signifies a county-owned graveyard or
the “poor farm” cemetery.
As with other Potter’s Fields, this one was used to bury
the poor and the unknown. The five-acre plot is scattered with
a few trees, an abundance of underbrush, and only a handful of
tombstones dotting the hill. The hill is dimpled by sunken and
uneven ground in vaguely rectangular shapes. Most of the poor
were buried in wooden or cardboard boxes, if any at all, and as
they decayed, the ground sank. In some places, these sunken
shapes are headed by gravestones.
Looking up from the memorial at the entrance, I see
only two or three markers that are easily visible. It’s only after
combing the land that I find several more flat grave markers.
There may have been more at one time, but most of the plots
have always been unmarked. The county discouraged families
from putting up tombstones because, as they put it, “If you can
pay for the stone, you can pay for the funeral” (“Beauty”).
In many cases, they went after the families for reimbursement of
funeral costs if they improved the plot in any way. In recent years,
some surviving family members have commissioned tombstones
for their loved ones. A few stones look much too new to have
been erected near the person’s time of death.
Omaha’s Potter’s Field was used from 1887 until 1957.
During the fifties, society began to frown upon the idea of poor
farms and potter’s field cemeteries. The county decided to pay
for indigent and unknown persons to be buried in the numerous
cemeteries throughout town. They were still kept in isolated
sections to avoid offending the “decent” folk (“Potters”). After
Potter’s Field closed, the grounds were neglected and fell into
disrepair. In the summer months, visitors couldn’t even tell it was
a cemetery because the weeds were sometimes waist deep. Late at
night, teenagers gathered in the abandoned cemetery. Drinking
and partying led to the desecration of many gravestones. The
land was often littered with beer cans and other “souvenirs” of the
night before.
A farmer who lived at the top of the hill attempted to
scare away the teens, but his efforts proved futile. At one point,
he tried to repair the grounds by clearing downed trees with his
tractor. In the process, he knocked over several gravestones and
disturbed many graves. His intentions were well meaning, but he
did more damage than good (“Beauty”).
In the 1970s, Boy Scout troops cleared the grounds to
make the cemetery presentable again. The young men worked
hard for several years to keep up the grounds, but their efforts
waned, and the grounds eventually fell into disorder again
(“Beauty”).
In 1985, a drive was headed by Richard Collins, former
Douglas County Sheriff, to restore the old cemetery. It had
become an eyesore, and many community members wanted to
clear the land and build it over. Collins couldn’t abide that, so
he raised the $22,000 needed to properly restore the grounds
(“Beauty”). In September of 1986, Potter’s Field was                                                                                                   reconsecrated and the memorial erected (“Potters”).
There are 3912 souls interred beneath these five and
a half acres of soft and uneven ground. Walking across the
cemetery, I find it hard to comprehend that someone is laid to
rest beneath almost every footstep. Many people interred here
remain unidentified. It was not uncommon in the early years of
Omaha to find bodies along the riverbank. Bodies of unknown
people were also found in alleyways and tenements, and railroad
accidents were numerous. In most cases, these bodies were never
claimed and remain unidentified to this day.
Nearly half of the burials here were for infants and
toddlers under two years old, almost all of whom were unknown
and abandoned. The interment list includes pages and pages of
entries that simply state “unknown baby.” The heartbreaking
part is that many of these entries are followed by the simply
stated information known about them. The words “found in
garbage,” “found in brickyard,” “found on riverbank,” “murdered,”
“strangled,” linger on the pages and in the minds of all who
read them. The sad, brief existences of these little lives and their
unmarked resting places are a testament to the hardships of
the time.
Even for the known people buried at Potter’s Field, there
is precious little recorded of their lives. Many names listed have
no traceable connection to the families of present-day Omaha.
Several local historians have tried to find ancestors of the
interred with little success. It would seem as though these souls
were all but forgotten, and their memory was left to fade away in
this lonely place.
Halfway up the hill on which the cemetery is situated,
the plot of William Brown is cordoned off by wooden stakes
at each corner. It has no gravestone, but a single red silk rose is
wrapped around one of the stakes, a simple statement of tribute
and remembrance. This is the final resting place of a man who
played a considerable part in Omaha’s history. His death, if not
his name, will be forever remembered in the city’s racial history.
On September 26th, 1919, William Brown was arrested
for the sexual assault of a young white girl named Agnes
Loebeck. She had been accosted the night before in a park near
Brown’s residence (“Mob”).
Two days later, on Sunday, September 28th, a mob of
people (eventually growing to almost 20,000) surrounded the
courthouse where Brown was being held. Although they had
seemed peaceable at first, they eventually became impatient
and increasingly violent. At one point, when the mayor tried to
reason with the crowd, he was attacked and hanged from the
nearest light post. After three attempts, several bystanders finally
freed him and transported him to the hospital.
Despite the efforts of many, William Brown was
eventually handed over to the angry mob. The mob beat him
unconscious, and in all likelihood to death, before dragging him
from the building. He was strung up as if to be hanged and
riddled with bullet holes by armed members of the crowd. If that
wasn’t indignity enough to be suffered, he was cut down, dragged
two blocks, and lynched upon a waiting pile of railroad ties. His
charred remains were dragged around the business district for
hours afterwards. The lynching rope was later cut into bits and
sold for a dime a piece. Early the next morning, the army was
called in to restore order in the city (“Horrible”).
Over 2000 black citizens of Omaha left town that
night, never to return. The riot led to a legal segregation of the
races throughout the city, and the black community was allowed
to live only in North Omaha. Although these restrictions
were eliminated decades ago, the majority of Omaha’s black
population still resides in this area.
Brown proclaimed his innocence to the end, and many
believe it to this day. It was later learned he was plagued by
rheumatism and likely could not have overpowered even a young
woman (“Horrible”). He was a victim of the tumultuous summer
of 1919, which saw eleven people lynched in nine different cities
across the nation. His body was laid to rest in Potter’s Field on
October 1st, 1919. His entry in the interment list states only one
word: “Lynched.”
The great-niece of Agnes Loebeck is currently trying to
raise money to erect a gravestone and small memorial in William
Brown’s memory. For now, the single rose marks the spot where
his body was laid to rest.
Eleven discernible headstones still stand in Potter’s
Field. Several more are worn so badly I can’t make out any of
the etchings. Even for those still standing, we may never know
a history. Some would say that is because there was nothing
remarkable about them. They just lived and died. Because of the
nature of this cemetery, many of the adults buried here were
penniless and viewed by the people of the time as drunks and
bums. Many others were innocent children who were premature,
stillborn, or had fallen victim to disease or a mother’s inability to
handle an unwanted pregnancy.
The names and dates on the remaining headstones
seem to whisper of a history we may never learn. Iva and Sadie
Clark were thirteen and eleven, respectively, when they perished
in 1890. They died within days of each other. Stella and John
Chapman, ages three and ten months, also perished within
days of each other in 1891. These siblings were more than likely
the victims of the influenza epidemic, which killed millions
worldwide from 1889-1891. Near the top of the hill are two
headstones, side by side. Mary Bain and John Snow were both
sixty-one years old when they perished in 1941. Mary went on
the ninth of April, and John followed on the eleventh. Both
gravestones are newer, obviously updated, and have vaguely
similar styles. The connection between these two people, as
siblings or spouses, we may never know.
Most of the adults buried here died destitute and
disgraced, but they were still once people just trying to get by in
life. In some way they were each loved and missed. Many were
present in Omaha when the city and the West were still being
settled. As the dedication stone placed at the cemetery entrance
states, “These nearly forgotten citizens of past history were, in
their own way, responsible for the building of the West.” In that
way, they contributed to history and to the world we see today.
As long as a record of these people exists, we may someday know
more about them. Someone may come upon the record and
recognize a name or a history. In that way, they may never truly
be forgotten.

Works Cited
“Beauty, Dignity Restored to Potter’s Field.” Omaha World
Herald 2 Sept. 1988, Nebraska final ed.

“A Horrible Lynching in Omaha, Nebraska, 1919.”
Nebraskastudies.org. Nebraska Educational Television,
Nebraska Department of Education, and Nebraska
State Historical Society. Path: 1900-1924; Race Riot
in Omaha; Racial Tension in Omaha. 10 April 2006
.
“Mob in Omaha Lynches Negro; Attempts to Hang Mayor
Smith.” Omaha World Herald 29 Sept. 1919, Nebraska
final ed., sec 1:1.

“Potters Cemetery Site.” HistoricFlorence.org. 2004. Florence
Futures Foundation. 10 April 2006
<http://www.historicflorence.org/Cemeteries/
PottersCemeterySiteX4.htm>. 

for L. #3 (he melts my pride with his apathy)
Jessica Shimerdla

he orchestrates my every stroke
as I paddle through this cold
gold sea of wedding bands.
my limbs break and tangle
as if attached to his stories.
he grips my tongue with icicle fingers
breeds my fascination
with my fear of failure.
yet he remains removed
from my clumsy affections.
Austere,
there to see, but not to touch
as if on display in some fetishized diorama
mischievously spying me from somewhere
behind beautiful plastic eyes
slaughtered…
stuffed…
encased in glass

corpse pose.
Jessica Shimerdla

the doves spin around his bleeding head
white feathers stick to his wounds
as I watch his halo bend.
butterflies with twisted wings
swarm
on his tongue,
fall awkwardly
out of his jaws, and
crawl down my throat.
[from dust you came, to dust you shall return]
my chest explodes into a
rainbow of dust—
a kaleidoscopic murder scene.
I reached for his hands
but found
straight razors
instead.

The Ethics of Using Digitally Altered Photographs
in Photojournalism
Carol McCabe

Niecephore Niepce pointed an apparatus out his studio
window in France and revolutionized the view of the world by
creating the very first photograph. A century and a half later,
digital photography again revolutionized the way the world
was viewed. Creating photographs became instant, the speed
of transmitting images became lightning fast, and the ability to
massage, manipulate, and maneuver content became available to
every photographer, picture editor, and art director.
Twenty five years after the first digitized image appeared,
photojournalists still struggle with the impact of the malleable
digital image. The bedrock of the profession of photojournalism,
credibility, has been challenged (Leslie). The confidence and
trust of the public has steadily eroded because of the many
documented examples of digital manipulation and tampering.
Most major publications have had to apologize, explain, or
defend themselves over altered images.
A 1994 issue of Time Magazine featured on its cover
an enhanced mug shot of O. J. Simpson which Time explained
was a photo illustration. Texas Monthly in 1995 featured a cover
shot of the then Governor Ann Richards straddling a HarleyDavidson.                                                                                     It was actually a digitized composite of Governor
Richard’s head on the body of a model. The magazine explained
that the production of the image had been fully documented.
The documentation consisted of a standard list of participating
photographers, set designers, art directors, and artists, and was
printed in small type on an insignificant page (Long). Newsweek
admitted making a mistake for its March 2005 cover photo of
Martha Stewart. The photo was actually a composite of the body
of a model and the head of Stewart. Stewart had not yet been
released from prison.
With the many examples of manipulated images, it
became inevitable that the public would begin to easily doubt
and question published photographs. This appears to be the
case with Congresswoman Katherine Harris of Florida. Harris
is currently running for Senate and has complained that she is
the victim of digitally altered photos. She accuses newspapers
of distorting her makeup. “…They’re outrageously false, number
one, and number two, you know, whenever they made fun
of my makeup, it was because the newspapers colorized my
photograph.” Harris became the brunt of jokes over her use of
cosmetics when, as Florida Secretary of State, she oversaw the
recount of the 2000 presidential vote (March).
In 1992, a photo on the cover of Texas Monthly was
wrongly suspected of having been manipulated. The art director
for the magazine, D.J. Stout, stated, “I realized at that point
that the altered photographs were really hurting the integrity
of the magazine’s cover, to the point that when we had a great
photograph, nobody believed it” (Leslie).
The ability to digitally manipulate photographs opens
wide the possibility of damage being done to reputations and
personal harm being brought to subjects. With the click of a
mouse, images or parts of images can be moved or masked,
colored and cropped, flipped or flopped, and dodged or
completely distorted. People can appear where they have never
been, shake hands with people they have never met, and look
to the right when they were actually looking to the left. Bobbi
McCaughey, the Iowa mother of sextuplets, could legitimately
conclude that her physical appearance was not suitable to grace
the cover of a national magazine when Newsweek used digital
wizardry to straighten her teeth (Farid). The Time cover of O. J.
Simpson, which was manipulated to give him a darker, sinister
look, could have contributed to his being prejudged for a crime
that, at the time, he was only accused of.
History is also at risk of being altered when the visual
record of events can be so easily manipulated. A widely published
photograph by Brian Walski shows a British soldier gesturing to
Iraqi civilians. The photograph is made powerful by the soldier’s
gestures and a crouching man holding a child. Unfortunately,
the image was a fabrication using two of the photos Walski shot
at the scene. He merged the two photos in Photoshop in an
attempt to enhance the image and apparently to enhance the
message he was trying to convey. This lack of judgment cost him
his job at the L.A. Times when the fabrication was revealed
(Van Riper).
Our society is saturated with visuals. We are inundated
at every turn with images that are meant to entertain us, persuade
us, motivate us, and sometimes inform us. In this daily sea of
imagery, photojournalism, in the true sense of the word, is being
buffeted. Communicating news through the use of photographs
is almost as old as photography itself. But the digital challenges
that photojournalism faces, the erosion of public trust, damage
done to reputations by unethical journalists, and the altering of
history are also as old as photography itself.
Looking back to the Civil War, one sees that Alexander
Gardner, a photographic assistant to famed photographer
Mathew B. Brady, is known to have embellished and lied in
his descriptions of photographs of the battlefield. It is strongly
suspected that he, at least once, actually moved the body of a
soldier, using it as a prop to create the image he wanted to convey
(Frassanito).
The underlying truth about photography is that it has,
from its very beginning, been a subjective interpretation of
reality. From the angle of the camera, to the amount of exposure,
to what is included in the scene, photographers have almost
always been confronted with choices in their picture making.
Photographs produced traditionally in the darkroom provided
further opportunities for interpretation using the standard
techniques of cropping, dodging and burning, or lightening and
darkening. Digital photography has made all of those choices
much easier and has provided the photographer with many more
ways to interpret and manipulate.
With the variety of tools available, the possibilities to
manipulate the truth, damage reputations, and alter history
are great. However, most photojournalists are in the profession
because they have a passion for being able to communicate
through photography. Most photojournalists also understand the
threat to their profession when their credibility is challenged. As
Brian Walski, the L.A. Times photographer answered when asked
“How could you do this?” by a fellow photographer, “I —ed up,
and now no one will touch me. I went from the front line for the
greatest newspaper in the world, and now I have nothing. No
cameras, no car, nothing” (Irby). Walski was fired immediately
after the manipulation had been discovered and was left to find
his own way home from Iraq.
Working photojournalists are well aware of the ethics
involved with their profession. They have, as one of their
guides, The Code of Ethics for Photojournalists through the
National Press Photographers Association (NPPA). These
codes define the difference between editing for aesthetics and
editing or manipulating content of a photograph. In addition to
NPPA, photographers have available many other professional
organizations which have established codes of ethics and
routinely hold seminars and workshops on contemporary
issues of photography and news gathering. In addition, most
newspapers have also established codes of ethics or guidelines for
using digital images.
News organizations have been at the forefront in dealing
with the issues involved in digital imaging and manipulations.
There have been many examples of bad judgment being used by
photographers, picture editors, and publishers. But the instances
of bad judgment have also had consequences, and if nothing else,
generated much discussion about the ethics in photojournalism.
Credibility is under attack in all structures of our society
from politicians, CEO’s, lobbyists, athletes, creative writers,
and journalists to name a few. Ethics and principles are being
discarded or stretched thin. It is up to individuals to honor the
ethics of the professions they are involved in, and it is up to the
public to demand integrity.
“During times of universal deceit, telling the truth
becomes a revolutionary act.”
George Orwell

Works Cited
Farid, Hany. “Digital Tampering in the Media, Politics and
Law.” Dartmouth College. 17 January 2006
<http://www.cs.dartmouth.edu/farid/research/
digitaltampering>.
Frassanito, William. Gettysburg: A Journey in Time. New York:
Charles Scribner’s Sons, 1975. 186-192.
Irby, Kenneth F. “L.A. Times Photographer Fired Over Altered
Image.” Poynteronline. The Poynter Institute. 27 April
2003 9 January 2006 <http://www.poynter.org/content/
content_view.asp?id=28082>.
Leslie, Jacques. “Digital Photopros and Photo(shop) Realism.”
Wired May 1995. 9 January 2006 <http://www.wired/
archive/3.05/photo.html>.
Long, John. “Ethics in the Age of Digital Photography.”
National Press Photographers Association. September
1999 27 December 2005 <http://www.nppa.org/
professional_development/self-training_resources/eadp_
report/visual_lies.html>.
March, William. “Harris Says Newspapers ‘Colorized’
Photographs, Distorting Her Makeup.” The Tampa
Tribune 03 August 2005. 19 January 2005
<http://www.tampatrib.com/FloridaMetro/
MGBY1483XBE.html>.
National Press Photographers Association. “NPPA Code of
Ethics.” 27 December 2005 <http://www.nppa.org/
professional_development/business_practices/ethics>.
Van Riper, Frank. “Manipulating Truth, Losing Credibility.”
Washington Post 09 April 2003. 18 January 2006
<http://www.washingtonpost.com/wpsrv/photo/essays/
vanRiper/030409.htm>. 

Magnifico’s Secret Name
A.J. Bernhagen

“My friends, my enemies, and those in between,” the clown
said as he twirled and whirled and swirled across the broad and
very littered street corner. His words rose to their peak––quite
nearly a squawk––and then descended to a lower, more ominous
tone, and he continued, “My name is Magnifico Maykar, if you
will believe. I’ll trouble you not with long histories, nor utter my
story, boring as it is, to refrain your amusement any longer.” He
tapped five or six steps forward and struck a pose, extending his
pipe-like arms in a broad, embracing gesture.
“You now know my name, you know that I am. You see
what I am and hope that I can––please you that is; it is too my
hope. Join me my friends, my spectators, I pray, join me at once!”
The clown twirled and whirled and swirled again, and Mr.
Pritcher was watching him. He did not smile, he did not know
why, but the twirling clown’s pale, pathetic form, with his slender
face and hooked nose, brittle limbs, and nimble steps frightened
him. He had never seen such a creature, nor heard such a voice,
high and low at once, boisterous and silent. Everything about
him contrasted another portion.
“Do you wish to see me do a flip, perhaps?” Magnifico
wailed, and flipped backwards, landing on his feet with his arms
folded simply, smiling and goggling at the small crowd before
him. “Walk on my hands, like a monkey?” He performed this
gesture as well, to the delight and amusement of a few little girls,
whom he blundered over to and patted their heads with his feet.
The crowd whistled and cheered and applauded. Mr.
Pritcher stood quietly and observed the funny little man, who
proceeded with a succession of dexterous feats, including
hopping on one hand, curling himself in a wheel and rolling
around the small circle, and turning cartwheels without end.
“I see by your faces, by the way they shine, you are pleased
with my tricks, poor as they are!” Magnifico squealed, and smiled
broadly. His teeth were crooked, and his lips were thin lines
covering them. “But I’m afraid for this day I have much work to
do. Too much, that is, to dance now for you.”
The children, especially the two little blonde girls, took
to pouting upon hearing that, but more than these, Mr. Pritcher
noticed, were the silent lamentations of an old woman sitting on
the stoop of the nearest housing block. She clutched a whitetipped                                                                                  cane in her wrinkled hands and wore a scarf around her
neck though the weather was quite warm. She said, “Will you
come dance for me tomorrow, Magnifico?” And when she spoke,
she did not look to anyone in particular, but knew somehow that
the clown heard her.
Magnifico twisted his head so it nearly faced backwards.
His large eyes grew even larger, and he tiptoed closer to the old
woman. “Do you, my dear, wish to see Magnifico, poor and frail,
another time in the future, perhaps?”
“I listen for you every day, Magnifico,” she replied. “I love
to hear you dance.”
The clown laughed at that, shrill and high, then his voice
dropped thematically, and he came closer. “Every day, my darling,
my precious, my dear! Magnifico has not seen you, nor known
that you hear.” He moved even closer and plucked her cane away
and took her hands in his. “It was you who left the water for my
poor, withered throat to drink?”
“Yes,” she said. “But it was nothing.”
“And you left the sandwich on your stoop for me, hungry
and sickly as I am?”
“Oh yes. I wouldn’t stop your dancing, my Magnifico, so I
left it for you.”
Mr. Pritcher saw that the clown had tears in his eyes, and
he kissed her hands together and touched his forehead to hers.
“Then you shall not see me tomorrow, my dearest of friends.
But tonight you will see beyond sight what no eye can see. You
will dream a true dream and fly through the night. This I will
promise, weak though I am, and open your eyes so you shall see
me no more. But fear not, my child, my love, my true friend;
Magnifico will leave you with one final dance if only a friend
among us would chance.”
The clown reeled backward, his smile returned and that in
full. He goggled at each of the crowd in turn until he found Mr.
Pritcher, who would not face his eyes. But the clown called, “You,
sir!” and hopped three large steps and stood at his full height
before him, one arm outstretched. “Yes, it is you, my good man!
I’d be delighted this day if you’d take my hand!”
Unsure, Mr. Pritcher glanced around at the eager faces
pressing in on him. Their eyes egged him on, but he said, “I don’t
think so, sorry,” and stepped backward.
All the life fled from Magnifico’s eyes. His brows furrowed,
and his thin lips drooped into an impossible frown. “Does my
poor self offend you, good sir and my friend? I am but a poor
sickly clown, as all eyes can see; would you do me the honor and
dance now with me?”
Mr. Pritcher would have laughed were Magnifico’s eyes
not so deadly serious. The little clown held his hand outstretched
as though he would never tire and inched forward. “Sorry, I’m
not much of a dancer,” Mr. Pritcher lied. He would be giving no
lessons any day soon, even though for the purposes of the little
clown, he could have managed. But he wouldn’t have himself
humiliated––especially for such a stupid little creature.
“Ah! Fear not, my dear friend! Magnifico cannot dance for
the worth of a penny! Alone we are weak as work without worth;
but together, I say, we can give grand gifts to all who watch.
What say you? Come take my hand.”
“Sorry,” was all Mr. Pritcher said, and he turned and left,
stealing one last glance at the clown’s drooping face. His frail
form slowly turned and gestured to another, a small child this
time who laughed and skipped into the tiny clown’s waiting arms.
But then a voice struck him. We’ll meet again, my dearest of
friends. You’ll know my name, this I do promise. And a promise kept,
that it shall be. The clown was already waltzing with the sweet
little girl to the cheers and delight of all who watched. It was not
possible that the voice should be his. So Mr. Pritcher shook his
head and went on his way.
By the time Mr. Pritcher had come to his office towering
high above the bustling city streets, his stomach had tightened
into anxious knots, and his breath puffed in and out of his lungs
in sharp, uncertain heaves. He hadn’t been ill for a very long time,
nor did he feel this day would be an appropriate time to start.
But ever since he left the street corner, his whole body had begun
to…weaken.
“Cancel my appointments, Sheryll,” he told the plump and
kind-faced secretary in the room adjacent to his own office. She
smiled and chirped that it would be done and did not ask for any
reason. It was enough that Mr. Pritcher had said so.
The black leather chair provided some of the comfort it
had for twenty years, but somehow today less than other days.
The smooth, perfect arch that kept his back straight but relaxed
felt rigid and tight. His legs ached when he tried to put his feet
up on the mahogany desk. So, frustrated and unsure, Mr. Pritcher
stormed over to the water cooler sitting on an ornate stand in
the corner, filled a paper cup, and drank it down in two gulps. He
filled it again and repeated the process. It didn’t help.
Now beads of sweat were appearing on his forehead. His
neck felt stiff and hot and itchy. He thought he remembered
reading something dreadful in a magazine about these symptoms,
and in a fleeting moment of panic, he considered having his
secretary get him transportation to the hospital. However, before
he had the chance, the speaker on his desk phone came to life.
“Mr. Pritcher,” Sheryll’s voice chirped, filling the office
quite easily. “There’s a gentlemen here to see you. He just rang
the bell.”
Being near the door, Mr. Pritcher swung it open and
glared at his smiling secretary. “Did I confuse you when I said no
appointments today? How much clearer can I be?”
Sheryll’s smile wavered, and she nodded. “Oh yes, yes, Mr.
Pritcher, I’m very sorry. It’s just that he’s on the monitor now, and
he said you’d definitely want to see him.”
Mr. Pritcher sighed, losing himself in his thoughts. The
appointments he had cancelled were of no real consequence.
“Well, what does he look like?” he snapped.
Sheryll straightened herself in her chair and peered into
the little screen on the desk. “He’s tall, well built. His voice is
very business-like, well, you know. Would you care to look?”
“No, no. God no! Send him off, I don’t feel well. Tell him
to come back some other time––and make an appointment.”
“Oh yes, certainly, Mr. Pritcher. Here, I’ll just––well that’s
funny.”
“What? What is it now, Sheryll?”
“Well, it’s just that he’s gone. Hmm, strange. He sounded
so eager to meet with you that I––”
“Maybe he went to make an appointment like everyone
else,” Mr. Pritcher interrupted and stumbled back to his office,
slamming the door behind him and leaning his head against it.
The sweat was now sliding down his forehead and wrinkling
cheeks. Every pore of his body seemed to leak an aching, biting
fluid.
“Oh my dear friend, how ill you do appear. Perhaps I can
help, powerless and helpless though I am.”
That voice. That high, terrible sound. Mr. Pritcher whirled
and found the little clown, Magnifico Maykar, squatting in his
desk chair with a grin on his thin, bony face.
“How––how did you get here?” Mr. Pritcher demanded.
He stalled a moment. The clown gave no answer. “More
importantly, why are you here?”
Magnifico continued to grin. “Your words, good sir, they
lack, yes they lack. Powerful you are; your office sits high above a
sea of peasants. But your words, I say, they clutch in your throat, I
feel. Yes, clutch and stick and force themselves weakly from your
lungs. But your questions I shall answer, and I hope they shall
satisfy. Here is where I appeared, as my master sent me so. Why
is for you to know, as my name, all in the provided time, dearest
of friends. There there, why do you lean so?”
“I’m not feeling well,” Mr. Pritcher said carefully. “And I
know your name. Now I want you to leave, do you understand
me? We’re not friends. We’re not anything. I don’t know how
you got in here, if you climbed the windows or what, but you are
trespassing.”
Magnifico’s shrill, high laugh filled the office, echoing and
reverberating off the books and glass and walls. He bounced up
and down in the chair and grinned wildly. “My dear Mr. Pritcher!
I come uninvited, as I always have done, but it surely will not
matter by the time that I have gone.”
Mr. Pritcher stood straight and took three steps forward.
His cold eyes bore down on the smiling little clown. “Now you
listen here. I said I want you out. Now.”
“The same as your partner, whom you harmed so long ago?
Poor Mr. Dedrich who did hang himself from a cellar beam?”
Mr. Pritcher’s eyes widened. His jaw fell open. “How did
you––?”
“What was it you said, my dear, dear friend? ‘Begone from
my presence, for the share is mine.’ You drove him away with
your greed and your mind. Dead he is now, but smiling, I’m sure,
for Magnifico’s grave was unearthed as it were.”
“What is this?” Mr. Pritcher demanded. “Did someone
send you? Did the board put you up to this?”
Magnifico smiled coquettishly and hopped up on the desk.
Papers scattered and fell to the floor, and Mr. Pritcher wanted to
collect them, but the clown held out his hand and extended one
crooked finger. “I am sent, but not by them,” he said. His voice
had changed. It was low, grating. He held out his bony finger, and
a smirk, not a smile, adorned his pale face.
“You stopped your friend. You’ve stopped many in such
fashion. But you cannot stop this. Dance with me now, yes!”
Blinding pain flared in Mr. Pritcher’s head where the
clown was pointing. He fell to his knees and pushed on his
temples and opened his mouth to scream. No sound came but
a gasp and a small whine. The pain was in his eyes, crawling,
scraping backward into his brain where it grew and spread
through every pulsing vessel and cell.
Magnifico sat passively, cross-legged on the desk, pointing.
There was sadness in his droopy eyes.
“I am the thing you cannot buy, you cannot sell, you
cannot find.”
The clown moved his finger down, and the pain fled from
Mr. Pritcher’s head to his neck, which seemed to balloon and
swell, then down to his chest, where his heart contracted and
agony clawed with every slowing beat like jagged stones were
passing through the pumping organ instead of blood.
“Desire me more than silver or gold when I slip away and
grow you old.”
Mr. Pritcher clutched his chest and dropped to the floor.
He arched his back and curled his legs. Nothing would make the
pain subside, and it throbbed and tore and ate at his heart and
lungs. Acid dripped into his stomach. His muscles caught fire.
Life was fleeing from his body.
“What am I?” the clown whispered.
The words echoed in Mr. Pritcher’s head as he kicked and
writhed on the floor. He wasn’t just hearing them; he was seeing
them sparkle and dance in the darkness. His mind produced and
reproduced the riddle, and the thought occurred again and again
that if he could just solve it the pain would stop.
“What am I?” the clown repeated, as if confirming his
sentiment.
“T––time,” Mr. Pritcher gasped, and immediately the pain
ceased. It didn’t flutter away like so many birds from a field after
a gunshot. It simply vanished, all of it, like it had never been
there in the first place, and Mr. Pritcher opened his eyes. He
slowly stumbled to his feet and faced the little clown, who was
now smiling somberly as he sat atop the desk.
“Correct,” he said simply and slid to his feet. “It was a very
easy riddle. But you did well.”
Magnifico strolled about the office, marveling at the
collection of books on the shelves as Mr. Pritcher regained his
senses. His skin was no longer dripping with aching sweat, and
oxygen saturated his lungs in slow, easy breaths. He felt better
than ever, truth be told, and he watched the funny little clown as
he moved about.
The long silence was broken when Magnifico, now satisfied
at having looked at everything, turned towards Mr. Pritcher and
said, “It is time, yes. Time I must depart. The work of worth is
done, I do think!” His voice was back to its usual dramatic height.
“You have done well, my dearest of friends! There is no need
to fear; I shall not return, so long as the lesson remains as you
learned. One day, yes, we shall meet again, long into your years.
But yes, I surely must be off at once!”
The clown hopped forward, grinning with his eyes alight,
but Mr. Pritcher stopped him. “What about your promise?”
Magnifico’s eyes were like starlight. “Ah yes, the promise
yet to be kept. How astute, Mr. Pritcher, my friend! How astute,
yes!”
Mr. Pritcher inched forward. His head tilted to one side.
Questions upon questions swarmed through his tired, foggy
mind. They formed so fast he couldn’t decide where to begin.
“You’re not a clown, are you?”
There was that shrieking giggle that no one but Mr.
Pritcher seemed able to hear. Keyboards clacked and coolers
bubbled outside his door. No one had heard anything. Magnifico
placed his hands on his heart and said, “A clown? Oh surely one
such as I must be. Do you believe, do you see? But a clown is not
a clown, nor what’s beneath the flesh. Whose face smears and
slides and grows, or the wind, perhaps, the air that blows?”
“But your name. It isn’t Magnifico?”
The clown’s large, droopy eyes fell to the ground, and his
whole form sagged. But a queer little smile still adorned his
creamy face. “Magnifico, yes. It means powerful one. His bony
legs crossed, one arm stretched out to the side, and the other fell
across his chest. And I, Magnifico, am the least of these.”
The clown bowed low, his eyes to the ground.
Then he was gone, and Mr. Pritcher could not find him
any more. 

Bikers: Modern-day Cowboys or Ruthless Outlaws?
by Lyle Hart

Motorcycle riders—bikers—as a group have been stigmatized by society as renegades.
They are looked upon as a subculture of nomadic vagabonds whose only purpose in life is to
roam the highways at their leisure, party at the drop of a hat, and terrorize the communities
they enter. The media has perpetuated that perception since the early days of motorcycling,
and Hollywood has followed suit with a plethora of “Biker movies” that depict them in the
worst light. However, a closer look at the subculture of bikers will reveal something completely
different—a brotherhood and camaraderie that is parallel to that of a military unit. Many
individuals and groups use motorcycles—Harley-Davidsons—as a fantastic mode of
transportation. It would be hard to find anyone who hasn’t witnessed bikers riding down the
interstates, whether “on a fall outing, in a parade, making a statement, or raising money for
charity” (Hog). The giving and generous nature of bikers disproves the myths created by their
adversaries. Although they carry a negative stereotype and the majority of society commonly
avoids them, bikers are the most charitable and most giving of the many subcultures that exist
in the U.S.A.
In order to fully understand this subculture, its history will need to be learned. It all
began with the invention of motorcycle. A look at transportation over the ages will show the
parallel changes. In the era of the Roman Empire, transportation needs led to the development
of the coach for a group of travelers and the chariot for an individual; in the days of the “Old
West,” the prim and proper had wagons while the cowboys—the itinerants of the day—had
horses. The invention of motorized transportation in the late 1800s created the desire for
individual transportation of a personal nature. The motorcycle became the first form of
[individual] mechanized transportation and has evolved into the works of art seen today (Art).
Although an American named Sylvester Roper developed a steam-powered motorcycle
in 1867, German inventor Gottlieb Daimler invented the true predecessor of today’s
motorcycle, a wooden bicycle retrofitted with a gas engine, in 1885. When engineer Nicolaus
Otto invented the first Four-Stroke Internal-Combustion engine, Daimler—then employed by
Otto—built it into a motorcycle frame. William Harley and Arthur and Walter Davidson
continued the efforts of Daimler and Roper after the latter went into the automotive field, and
in 1903 they created the Harley-Davidson Motor Company in Milwaukee, Wisconsin. Even
though they intended for Harleys to be used as transportation vehicles, most were used as
racers and, with the quality Harley-Davidson engine, they did very well (Inventors).
The growth and popularity of motorcycling—and of Harley-Davidson—increased to a
point enthusiasts were compelled toward one another. In banding together, they formed
informal groups and associations. Eventually, those informal groups grew into the founding
associations from which modern motorcyclist rights organizations evolved. The Federation of
American Motorcyclists formed in 1903 and in five short years established the first organized
rally. At that rally, Walter Davidson, then president of the Harley-Davidson Motor Company,
climbed aboard one of Harley-Davidson’s early models to compete in an endurance race around
New York City. In that race, he proved the reliability and worthiness of his motorcycle against
twenty-two different brands of motorcycles ridden by eighty-four racing competitors
(Fuglsang). The Harley-Davidson motorcycle gained the respect of riders and, although many
other manufactures—Indian, Henderson, and Excelsior, to name a few—existed at the time,
Harleys became the bike of choice. Soon motorcyclists joined forces and developed the first
group outings at the onset of this new craze. Milwaukee, Wisconsin was the site of one of these
early popular rallies, the “Good Fellowship Tour,” held in 1913. Patterned after that Milwaukee
rally, riding organizations like the Federation of American Motorcyclists and the Motorcycle and
Allied Trades Associations, which later combined to become the American Motorcycle
Association, created “Gypsy Tours.” Those groups would hold Gypsy Tours on the same day, all
across the country. Various functions would take place at the culmination of a ride to some
spacious scenic area where they frequently had “races, hill climbs, ‘Tourist Trophy’ and dirt
track events.” Other events were held to demonstrate a rider’s skills: seeing how slow one
could go; riding up a board; and racing around a course where ribbons were snatched from
stakes (AMA). These gatherings brought validity to motorcycling, but motorcyclists were far
from becoming mainstream. Horse buggies and the occasional horseless carriage mainly
traveled the roads in the early 1900s and “Boneshakers”—as early motorcycles were referred
to—intimidated and somewhat terrorized the drivers, the occupants, and the horses of the
buggies, as well as their motorized counterparts.
In spite of mainstream society’s overall disapproval of these two-wheeled adventurers,
they soon proved to be a valuable resource to the country. The military used motorcycles as
early as 1913, and General John J. Pershing’s vehicle of choice in the pursuit of Pancho Villa
was the Harley-Davidson motorcycle. By 1917, the U.S. military purchased about one-third of
all Harley-Davidson motorcycles produced. Motorcycles were put to use in many different
sections of the military including communication, transportation, reconnaissance, combat, and
some were even used as ambulances (Gregory). During World War I and World War II,
motorcycles were incorporated into the nation’s war machine and were driven by a unique
brand of soldier—rebellious, daring, adventurous. Their duties put them in harm’s way more
often than the average foot soldier and they slowly developed an almost iconoclastic stature—
similar to pilots and bombardiers. “[After World
War II, these] combat veterans roamed America’s
roads in cohesive groups; the forerunners of the
maligned American motorcycle gang, these vets
did Easy Rider long before Hollywood did” (Art
1946).
The city of Hollister, California hosted a
Fourth of July rally every year since the 1920s,
and in 1947, the world saw these motorcyclists in
a brand new light. News coverage of a “brawl in
the streets” brought Life Magazine to town. The
photo on the right appeared in Life.
Don Middleton, shown in this photo, rode
up to Hollister for the “Gypsy Tour” rally that year. Coverage of the event was already printed
in the San Francisco Chronicle when reporters from Life were sent to cover the event for their
magazine. When they arrived, the action of the event had already taken place and began to
ebb. They desperately needed a photo to accompany their article. “ . . . they swept as many
bottles as they could find into a pile, borrowed Don Middleton’s motorcycle, and asked if he
would be willing to pose–beer bottle in hand–for a few pictures” (Official). “ ‘Lock up your
daughters! The Huns are on a roll! Your town [may] be next’ was the word in 1947 as presented
by [the] Life magazine article about [Hollister] . . .” (Legends). Their article and photograph
they staged changed America’s perception of motorcycle
riders forever. “Gus Deserpa, the fellow in the background of
the [staged] photo, witnessed it all. Gus, a lifelong Hollister
resident, lives there to this day.” “That incident later
spawned the cult film [photo right], The Wild One, launching
Marlon Brando’s film career and forever cementing the ‘Biker’
image in American history” (Official). That image has stayed
in America’s mind for nearly sixty years and at times has only
worsened. The news media, the entertainment genres, and
other avenues of public awareness have kept the negative image alive, seldom reporting on the
newsworthy acts of selflessness and charity performed by Bikers across the country. Even the
AMA, “the world’s premier member-driven motorcycling organization,” drew on the events of
Hollister to discredit Bikers and to further segregate them from the rest of motorcycle
enthusiasts (AMA). After Hollister, the AMA said, “ . . . that ninety-nine percent of the
motorcyclists are good people enjoying a clean sport, and it’s the one percent that are antisocial barbarians” (Carlo). They were referencing what they considered “Outlaw Bikers”—the
Boozefighters and the Pissed Off Bastards of Bloomington, the forerunners of today’s Hells
Angels. “This put-down actually delighted the known outlaws, who saw it as affirmation of
their presence, and [they] began wearing patches denoting themselves as “One Percenters,”
the ultimate imprimatur of the hardcore badass biker was born into legend as well” (Legends).
Although they wear the one percent patch with pride, members of motorcycle clubs, including
the Hells Angels, want the public to understand the disillusioned fact expressed in the cliché,
“One rotten apple spoils the whole barrel.” In Seconds Magazine, Chuck Zito, President of the
New York City chapter of the Hells Angels, stated as much in an interview. He said,
Individuals in many organizations do a lot of different things. Most recently,
fifteen cops from New York City’s 48th Precinct were indicted for various
crimes—drugs, shakedowns, extortions, et cetera. Does that mean we’re going
to condemn the whole police department for what a few individuals did?
Absolutely not, but by the same token the Hells Angels do not want to be categorized by the
actions of a few of its members (Carlo).
The bad image society has of bikers is hard to shake. Media outlets and law
enforcement consistently, and at times collectively, have had their hand in creating the
difficulty motorcycle clubs have in keeping their image clean. Chuck Zito went on the say,
Myself, I don’t drink, I don’t smoke, and I never took a drug in my life but I am
supposed to be this drug-taking, drug-selling Hells Angel and belong to a
criminal organization. The thing that pisses me off, and it’s happened time and
time again—almost every article I read about the Hells Angels is even by the
Government or some other law enforcement agency or some jerk-off trying to
make a quick buck off our name, and they write a book about the club…but yet
none of them know jack shit about what they are talking about. When people
hear about the Hells Angels, they don’t know if it’s myth, rumors, or just plain
bullshit. Even if we get a distraction [on legal issues or media misstatements]
later on down the road, the damage is already done(Carlo).
That damage is hard to control, yet bikers still do a tremendous amount of good in
spite of the lack of coverage or publicity they receive for it. Organizations outside of the
motorcycling realm have begun to notice. Sometimes, albeit seldom, the news media actually
takes notice, as was the case when reporter Jean Morris wrote an article for the July 6, 2003,
Life and Leisure section of the New Hampshire Sunday News titled “Riding with the Hells
Angels, for Charity.” The writer took part in a charity run the Hells Angels Motorcycle Club
held; she experienced first hand the brotherhood of the club, the freedom of the road, the
intimidation by law enforcement, and the charitable nature all bikers experience (2). The run
was set up to benefit a homeless shelter supported by the Christian organization, The Salvation
Army. Ms. Morris posed the following question:
How did this surreal juxtaposition of heaven and hell happen? Eddie, the
president of the Laconia Chapter of the Hells Angels, said, ‘They sent us a
letter six months ago asking for help.” He displayed the letter, dated March 28,
from Salvation Army Major Karen Dickson. The letter said, ‘We really need
some help and sometimes it comes from unexpected places. . . .My thought is
that perhaps your Hells Angels [motorcycle] club might be interested in some
positive press and TV coverage.’ [The reporter] asked Eddie if [they] were
doing it for ‘the good PR’. ‘No,’ Eddie said emphatically. ‘There is no ulterior
motive. There isn’t one person in this whole organization that made two cents
on this except the Salvation Army (Morris).
Ms. Morris rode a rented Harley-Davidson and traveled the roads with the Hells Angels to a
deserted drive-in where a rally was held at the conclusion of the run. The reporter witnessed
the arrival of the police and the interaction they had with the Hells Angels. Allegedly
responding to a report that “the drive-in was overran by bikers,” they checked permits for the
live band and vendors before leaving (Morris). Despite the police presence, the writer and the
bikers continued to have a great time, which is normally what happens at a motorcycle rally.
As always, the run and the rally were a success. Ms. Morris reported that,
By 2 p.m., the tally from the ride was expected to exceed $5,000.00. [Ms.
Morris] asked Major Dickson if she thought people would get upset because she
partnered with the Hells Angels. ‘Jesus didn’t say, “I’ll deal with this one and
I’m not going to deal with that one”. Everybody has good in them and
everybody is affected by homelessness,’ she said. (Morris)
Another instance of the media actually reporting a positive story about bikers took
place in the cover story for issue 223 of Cincinnati’s City Beat magazine. Brad King wrote an
amazing story about the American Federation of Riders, a riding organization in Ohio. The AFR
got their start when a few bikers had come together after hearing of a local tragedy. They
heard that the parents of a young girl had been killed in a accident. Not unopposed by public
opinion, they held a run that collected nine-thousand two- hundred dollars, which was placed
in a trust for the girl. That started it all for the group, and the founders incorporated the group
into a non-profit organization.
Soon, the group had held many other charitable events. They raised funds for various
charities, shelters, and even established scholarships. All through the 1980s, the group had
held runs and rallies to benefit one charity or another. At their peak, they donated more than
ten thousand dollars to a center for wayward youths called Center of Hope, so the center
would be able to construct an administration building. Unfortunately, the AFR experienced
some loss of revenue with every event they held. Paying to rent someone else’s land led the
Riders to look into purchasing some property of their own to hold the rallies. They even
intended to allow the local soccer club free use of the property when the Riders were not
using it themselves (King).
A meeting of the local Planning Commission was held to determine if the Riders would
be able to purchase the land and acquire the needed permits for the rallies. Two members of
the Riders were present to state their case. The meeting was also open to the public and a
disproportionate number—seventy-five to one hundred—of their neighbors showed up. “ ‘The
last words I heard before I left rather abruptly was, ‘Is it OK if we start shooting them now?’
recalled Herman [, former chairman of the Riders]” (King). The charitable nature of bikers was
evident when the Riders held a three-day event called a Poker Run. More than two thousand
bikers rode during the event, which raised nearly forty-seven thousand dollars that they
planned on using to buy the land, pay administration costs, and put toward charity. However,
the public image of bikers threatened to close the organization (King).
Eventually, the Planning Commission voted in favor of the Riders and after finally
getting approval on the land and the permits, the Riders held a rally where the members of the
community were openly invited and encouraged to attend. They were asked to come and
witness what they vehemently opposed. “‘A few neighbors didn’t like [the Rider’s purchase],’
Aurora Mayor Leon Kelly says. ‘It’s a small town and when things change, people don’t like it’
”(King). “‘There were some concerned parents,’ [said] former soccer association president
John Weichold, whose organization had a hotdog booth at the rally. ‘They really did [not]
understand what the AFR is all about. I think we helped the AFR a little by helping people see
the AFR was for the kids. They look different, that’s all there is to it. And it’s hard to change
that way of thinking.’” The enforcement officer for the Dearborn Zoning Commission said that
he thought things ran smoothly, and the Dearborn Sheriff’s Office noted that there were no
complaints from the rally (King). Slowly, the community had accepted them and they were
soon able to focus on the kids again.
Even though acceptance was gained in that Ohio community, the American society as a
whole, finds it difficult to accept the differences bikers present to the average citizen. Even
with the acceptance problems they constantly experience, bikers have not let society’s
perception keep them from the basic charity that they feel. In researching this paper, the
writer found only a few documented examples, although first-hand knowledge can verify
hundreds—if not thousands—of charitable acts that take place yearly. Two of the documented
examples have been mentioned already. Two other examples include a short blurb in the
Tucson Citizen, which reported wheelchairs were being purchased for residents of a center
used by the elders of the Papago Indian tribe with funds the Hells Angels raised in a sponsored
run this past June (Kornman). Another instance was reported through a motorcycle news wire
service. The Motorcycle Newswire stated that bikers helped Harley-Davidson contribute over
fifty million dollars in a twenty-four year period to the Muscular Dystrophy Association. The
money for MDA was amassed through dealer-sponsored rallies, runs, cook-offs, pin sales,
raffles, and other fundraising events bikers have participated in over the past quarter century
(Newswire). That’s more than two million dollars a year to a single charity. Unfortunately, the
majority of new articles, stories, and reports about bikers still show them in a negative and
sometimes criminal light.
In the November 11, 2002, edition of the Delaware County Daily Times, Cindy Sharr
wrote that police showed up in force at a Bikers Against Child Abuse (B.A.C.A.) rally and
harassed several of the riders who had participated in many prior versions of the annual event.
Even though police said their strong presence was because they received intelligence that
[rival] members of the Hells Angels Motorcycle Club and the Pagans Motorcycle Club were going
to be in attendance, the bikers that were harassed and ticketed were not members of either
club (Sharr). “Hundreds of uniformed police officers and emergency response teams from
across the county, accompanied by many police chiefs, lined MacDade Boulevard and the
surrounding streets in what some said was a pre-emptive show of force. Every police
department in the county was represented” (Sharr). Local law enforcement tried to explain
their heavy-handed tactics with the following statement:
‘It was a safety issue,’ said Darby Police Chief Robert Smythe, noting that in
the past few weeks his police department had received ‘intelligence’ about
possible problems from outlaw bikers. Smythe said strong showing from local
law enforcement was meant to prevent any problems from occurring at the
benefit–not a reflection of B.A.C.A., which he stressed, has nothing to do with
outlaw bikers (Sharr).
The reaction of law enforcement to the B.A.C.A. rally is typical. The allegations of
“intelligence” rarely are substantiated, and the claims are seldom, if ever, visualized. Still, the
harassment happens on more occasions than just those reported.
Despite the adverse publicity bikers receive, their inherent generosity cannot be
overlooked. In support of bikers and in support of this paper, a listing of various events that are
held annually will help the average person see the proverbial light that is seldom shed on
bikers. Every event listed below is held to raise money for a charity, an organization, an
individual, or a group whose very existence is shored up by the support of bikers. Many are
sponsored though motorcycle organizations, several are sponsored by so-called “Outlaw Clubs,”
while others are put on in conjunction with the charities themselves. Some of the charity
events are listed on websites such as the one belonging to America Biker Events.
Their site shows many different including these charity events:
30 July 2005- Hazelton, PA ‘Helping Hands rally and Poker Run’
5-6 Aug. 2005- Seneca, SC ‘Charity poker Run and Shriner Parade’
7 Aug. 2005- Narrows, VA ‘Poker Run for Little Avery Mullins’
27 Aug. 2005- East Syracuse, NY ‘Charity Poker Run’
10 Sept. 2005- ‘Cranston, RI ‘[Animal] Rescue Ride’
11 Sept. 2005- Utica, NY ‘Heroes Among Us’ Run and Rally (American)
The site for a riders’ organization called “Rebels with a Cause,” which is out of
California showed these events on their site:
24 July. 2005- Take A Ride on Tanya’s Side poker Run to benefit one of
Sacramento’s favorite personalities in their biker community
“Our Tanya” who is suffering from an incurable neurological
disorder “ Stiff Person’s Syndrome”
21 Aug. 2005- Walt’s Ride For [the] Make-A-Wish [foundation]
18 Sept. 2005- Scott Ivey’s Run For Teens benefits Sacramento Emergency
Family Housing and WIND Youth
18 Nov.-
21 Nov. 2005- RWC’s hope For The Holidays Toy Run- Holiday Miracles Journey
benefits Southern California Hope For The Holidays (Rebels)
Locally, the web site for A.B.A.T.E. (American Bikers Aiming Toward Education [or
American Bikers Against Totalitarian Enactments, as it was originally known]) of Nebraska had a
number of events, including these held for charity:
20 Aug. 2005- District 8 Staff for Santa Run
11 Sept. 2005- District 6 Annual Toy Run
24 Sept. 2005- District 8 Toy Run
26 Sept. 2005- Fremont Area Bikers Toy Run
8 Oct. 2005- District 7 Toy Run
12 Nov. 2005- District 13 Toy Run (ABATE)
Obviously, with this many events held in different locations over just a short, fivemonth period, it is easy to see many more of these events do take place annually, across the
country. To think that any other segment of society gives as much to charity is hard to believe.
Although some larger organizations may claim higher dollar amounts given to charity, few if
any can boast about the number of events they hold or about the number of individuals who
participate in order to achieve the amount of donations they generate.
In conclusion, bikers are not part of a large multi-million dollar corporation. They are
not a political party. They are not outlaws. They simply exist as a very large, loosely connected
group of individuals who know what freedom is all about. Anytime freedom is infringed upon,
they will react. Their subculture is one that embodies personal liberties and a willingness to
fight against any opponent in order to maintain those liberties. Most bikers see liberty’s
greatest adversary as one that changes the quality of another’s life. Whether that foe emerges
as the loss of a family’s bread-winning loved one, a debilitating illness, a medical hardship, or
some other burden that limits the liberties of another, bikers are ready to help. It can truly be
said that as subcultures go in America, bikers are the most charitable and giving.

Works Cited
ABATE of Nebraska. 3 June 2005. ABATE. 2 Aug. 2005. <http://www.abateofne.com/>.
America Biker Events. 2005. American Biker Events. 21 Jul. 2005
<http://www.americanbikerevents.com/>.
American Motorcycle Association. 2003. AMA. 1 Aug. 2005 <http://www.amacycle.org/whatis/history.asp>.
“The Art of the Motorcycle.” Online exhibit. Guggenheim Museum. Las Vegas. 1998. 1
August 2005 <http://www.guggenheim.org/exhibitions/past_exhibitions/
Motorcycles/index.html>.
Carlo, Phillip. An Interview with Chuck Zito. 15 May 2004. (Phillip Carlo. Seconds
Magazine. Issue 44) Vee Arnis Jitsu. 4 Aug. 2005
<http://www.veearnisjitsu.com/secondsmagazineinterview.htm>.
Fuglsang, Ross. Motorcycle Menance: Media Genres and the Construction of a Deviant Culture.
Diss. U of SC. 1997. 21 July 2005
<http://webs.morningside.edu/Drross/research.html>.
Gregory, Lisa. “War Bikes: Motorcycles have Played an Enduring Role in American Military
Operations Since the Army Enlisted its First Two-wheeler Cycle Before World War I.”
Soldier Magazine. Aug. 2003: 61-63.
Hog Heaven; Celebrating 100 Years of the Harley-Davidson. 8 Dec. 2003. Library of Congress. 1
Aug. 2005 <http://www.loc.gov/rr/scitech/harley 100/>.
Inventors, Motorcycle. “Development of the Motorcycle.” About.com: n.d., About Inventors
Library. 1 August 2005
<http://inventors.about.com/library/inventors/blmotorcycle.htm>.
King, Brad. “Heaven’s Hope and Hell’s Role: The Strange Saga of the America Federation of
Riders, Motorcycle Myths and Harley Hearts.” City Beat.
Issue 223. Cover. 1996. 21 Jul. 2005
<http://www.citybeat.com/archives/1996/issue223/cover1.html>.
Kornman, Sheryl. “Hells Angels to raise money for Seniors.” Tuscon Citizen. 14 Jun. 2005. 21
Jul. 2005 <http://www/tusconcitizen.com/
Index.php?page=local&story_id=061405a3_brf.charity>.
Legends. 2005. Kiwi Bikers. 4 Aug. 2005 < http://www.kiwibikers.com/harleydavidson/legends.shtml>.
Morris, Jean “ Riding with the Hells Angels, for Charity”. The Union Leader/New Hampshire
Sunday News. 6 July 2003. LL2
Motorcycle Newswire. “Harley-Davidson MDA Contribution Exceeds $50 Million”.
American Motorcycle Network. 21. Sept. 2004. 24 Jul. 2005
http://www.americanmotor.com/news.cfm?newsid=2262>.
Official Website of the Hollister Independence Rally. 4 August 2005. HIRC. 4 Aug. 2005
<http://www.hollisterrally.com/history.htm>.
Rebels With A Cause: Where Your Journey of a Lifetime Begins. RWC Support Causes
Nationwide-Calendar 2005. Jun. 2005. 23 Jul. 2005
<http://www.rebelswithacause.us/index.html>.
Sharr, Cindy. “Cops Muffle Pike Bike Run.” The Delaware County Daily Times. 11 Nov. 2002. 23
Jul. 2005 <http://www.cocepa.com/news/111102.htm>. 

Father of Lights

by A.J. Bernhagen

            When the war was over, he thought back, and this is what his mind’s eye saw.

            “Twenty-three!”

            Johnny jerked his head up from the slick desk and stared at the teacher standing in front of the liquid screen. His eyes were wide, as though he were still waiting for the question. The teacher frowned, and the lines on his face tightened. He removed his finger from the screen, and it rippled out like so many waves when a pebble disturbs a still pond.

            “In your syllabus, Twenty-three, the first order of conduct is to be attentive to any and all instructions and/or queries of the instructor. Do you feel in our present situation that you have achieved the set criteria?”

            Johnny blinked and thought on it a moment, but when he sensed the changes in the instructor’s demeanor, he abruptly responded, “No, sir. I was––”

            “Correct, Twenty-three,” the teacher interrupted, loudly.

            The other students in the symmetrical classroom were all gazing nervously at the boy whose eyes leaked raw fear. None laughed, as would have been customary in the barbaric days, but they regarded him with no pity either.

            The instructor took three steps toward the front row and removed a slender steel rod from the inside of his white coat. To the ordinary eye, it appeared to be good for nothing more than perhaps propping up a flimsy table or bludgeoning someone’s head; however, when the poor light reflected into Johnny’s brown eyes, he knew better.

            It wasn’t entirely his fault, he rationalized, though it didn’t matter now. The musings of a reformed ex-patriot from the Age of Chaos did not exactly stir his spirit to the point of song and dance.

            One of the many foolish notions from the Age of Chaos that holds a surprising amount of sway in certain rebellious factions to this day was the strength of the family unit, the concept of extracting ideals on an individual basis by means of patriarchal and matriarchal influence. Of course, this is all a lot of sheer nonsense, as the screens you viewed for today illustrated.

            “Is this necessary, Twenty-three?” the instructor asked. “Do we need another reminder?”

            “No, sir,” Johnny’s voice quivered. Silace, the boy on his left, was letting out several small gasps of relief. Natural, of course, for he was only one seat over from the cruel display that would have unfolded.

            The teacher replaced the rod inside his jacket, and a small smile spread across his tanned, aging face. “I agree. I would hope not after last week. Pay attention.”

            Then a lot of small breaths of relief rose in a silent chorus. But they were a small trifle compared to the pleasant cold sweep that was now flushing out the last of the hot nervous fire that had been simmering in his belly. He had been shown a good deal of mercy.

            Instructor Mills continued his lecture, and all the Level Three’s focused their attention on him as if their very souls would evaporate if they did not. When Mills dismissed the class forty minutes later, Johnny rushed down the white corridor with his screen tucked under his arm and barged through the bathroom door. As soon as he was sure it was empty, he threw open the last stall and locked it behind him. For a moment he sat silently on the stool with his hands trembling and his breath going in and out in sharp blasts. Then he cried.

The next period was similar to the first. Johnny, still disoriented and wiping away the last droplets from his puffy eyes, stumbled into the classroom and assumed his seat number, this time Seventeen. Should another question be posed to him, the instructor would call him by the new number and expect that he had the answer. In fact, he must have the answer––always.

            “Good morning, Level Threes,” Instructor Spritzer said, removing a slender wooden stick from his pocket. The liquid screen descended and Mills inserted the tool. Gravity held the water in the square, and it rippled and the lights beamed out, turning the colors blue, orange, and green before settling on a more purplish tint.

            Johnny slid his screen underneath the desk in the slot when he noticed it was coming to life as well.

            “As you will notice, I have compiled an update of your requirements, and deleted those which you have completed. Of course, I trust that you have been keeping avid track yourselves.”

            Johnny scanned the red letters.

            1. Complete your thesis on Shakespeare’s Macbeth.

            2. Research the forms of Greek grammar prior to our undertaking of The Odyssey.

            3. Six book reports must be finished before the cessation of this quarter; you shall choose your classic works this week.

            The list went on like that. Thankfully Spritzer had halved the amount of book reports due this time around. Johnny began to mentally break down his schedule. He could devote this week to the Shakespeare thesis, and that would leave room for the Greek grammar over the next few weeks. He should probably space the book reports, but God, that still left numbers four through nine.

            “We ended our discussion last time with a brief word about the alarming effects that literature has had in the past when left uncensored. French, Italian, and especially American literature were demonstrated all to have adverse effects both on the government and culture, though the more totalitarian a particular government was, the greater the damage. Of course, the current censorship program does not inhibit free thought.” Mills smiled broadly and continued: “We respect diversity. But to return to today’s material, if you will all look down at your desks, you will find the course objectives outlined––”

            The glass door slid open with a familiar whoosh, and a slender man in a navy-blue collared shirt stretched across his chest stepped into the room with a young boy at his heels. His muscular figure was clothed in the traditional student white, and a shaggy blondish-brown mane hung in his eyes.

            The instructors exchanged quiet words while the boy scanned the room. His blue eyes moved from desk to desk, taking in the reactions of the silent students, until they hooked Johnny, who could not force himself to look away.

            “Class, this is Apollos, and this is his first day. He was recently civilized and has tested into the third level. I trust you will welcome him.”

            Some snickers floated from the back. Johnny didn’t need to turn to see who it was or why they were laughing.

            “Look at his hair,” one of the boys said. “It looks like he took it off a stray dog.”

            “I wonder if they all look like that in his cave,” another responded, and more boys snickered, and a few girls, though most of them were noticing the certain attractive charm of his fierce blue eyes.

            “You boys sedate yourselves back there,” Spritzer said as the fellow instructor made his exit. “Apollos, you may take a seat in the back corner for today. I will have you permanently assigned by tomorrow.

            The boy took the seat just three behind Johnny. He did not say a word or so much as notice the glares coming from the other boys (or the fluttering eyebrows of the girls). He kept his attention on the liquid screen and waited patiently.

            “To get you caught up, Apollos, we were just discussing historical and modern censorship, how in olden times it served as a deterrent to peaceful expression, but now in its perfected form is only to the benefit of the common people.”

            Apollos raised his hand immediately, a gesture that brought outright laughter from his classmates. The instructor looked him with a slight smile and said, “Yes? Oh, for future reference, if you wish to speak you may press the green orb on the top of your desk.”

            Sure enough when Apollos looked down he found the small green button amongst the drifting purple-blue hue. Satisfied, he turned his eyes on the instructor again and asked, “What is the benefit of modern censorship? Perfected censorship, as you call it?”

            The instructor’s faced reddened slightly and his smile broadened.

            “I’m afraid that is something we cannot devote time to this morning, young man. It is in your text and you may read it at your leisure. There is simply not time.”

            A pause, then: “Why?”

            The simple question simultaneously caused every head in the classroom to turn as well as the instructor, who had faced the liquid screen again and was just about to begin dictating. This time when he faced Apollos, the smile was a distant memory, and a pronounced scowl the new reality.

            “Come again?” Spritzer said, as though forcing the boy to repeat himself would frighten him to silence.

            Apollos responded unafraid. “I want to know why we can’t take the time. You say censorship is a benefit––even go so far as to call it perfect. Surely you can spend five minutes explaining what is so perfect about it.”

            It wasn’t just the words he used. It was the tone. Johnny had been at Felhox Academy for three solid years (not even counting the pre-academy training), and in all that time, not one student pressed a question if the instructor deflected it, much less demanded the answer on his first day when his well being was hanging in the balance. Oh yes, barbarians had been “civilized” before, but Johnny’s observation was that they did not last long. Nor would this one, he supposed.

            “Since you are new I will simply warn you. Your text gives the explanation to your questions and you may read it there––”

            “I have no text, sir,” Apollos interrupted.

            Spritzer was thoroughly frustrated now. His mouth tightened and bent into a grimace.

            “Are you telling me they did not present you with your screen?”

            “No, sir, they didn’t.”

            “Well…during your refreshment break you may ask the central office to remedy that problem. You may read the text then, if you like. Now, if it is quite convenient, we will resume today’s discourse.”

            Johnny sat passively through the remainder of the lecture. Apollos mirrored him. And though it was difficult and something he did not want to be caught doing, Johnny stole a few quick glances behind him. Even his posture was different, the way he slumped back in his chair with his blue desk pen twirling between his agile fingers. He was an alien in this world, and Johnny swallowed a laugh.

“Apollos, a word if you please.”

            Johnny was just at the door when he heard the administrator, Mr. Falconer, call down the dormitory hallway after his new classmate. His hand was gripping his keycard which was about to enter the little slot. He hesitated.

            “I was looking for room assignments, sir. I can’t seem to find––”

            “No worries, my boy, no worries. You will be residing for the remainder of this semester––or longer if your interaction levels remain stable––with one Newburn, Johnny. His room is number C-294, down this hallway on the left. Ah! there he is now. Here is your keycard––what I needed to give you, actually. Keep it with you. I mean that. Do not lose it or there’ll be a reprimand.”

            Falconer resumed his checks, and Johnny heard Apollos mutter something sarcastic about stable interaction levels. Then he turned toward him, and his eyes were even more magnetic than in the classroom, and his slow confident steps amongst the swarm of white-clad students held Johnny’s gaze.

            “Johnny?” Apollos said, approaching him.

            “Yeah.”

            “I’m your new room mate, apparently,” he said, and slipped his keycard in the slot by the milky white door the wrong way. He jerked it out, turned it around and reinserted it. This time the door opened with a quiet hum.

            “I hope there’s two beds,” he continued, “because I’m not sleeping with you, Chief.”

            Johnny slipped through the door before it closed on him and watched the new boy throw his white duffle bag on the top bunk.

            “A lot of white around here,” Apollos muttered. “Not like home. Great parliament of clowns you guys need to do some remodeling.”

            “Color is too distracting. It keeps you from your studies,” Johnny explained. Apollos burst into a fit of hysterical laughter that didn’t end until he was sitting on the floor with tears streaming down his face. Johnny blushed.

            “You––kids,” he wheezed, and let the fit slowly ebb away. When he was settled, he said, “So, Newburn comma Johnny, is that your real name?”

            “Johnny Newburn, actually.”

            Apollos rolled his eyes. “No kidding, Chief. I mean is Johnny your real name? It isn’t John or Johntholamule or something?”

            Johnny took a seat on the bed and leaned forward. “John is a biblical name. My parents could not name me that so they named me Johnny.”

            In the silence Apollos could only marvel at his new friend. “And where are your parents?” he asked.

            Johnny looked down at him incredulously. “How should I know? I won’t see them until I’m done at the academy.”

            “And when will that be?”

            “Didn’t they tell you anything? We’re in the third year––fifth if you count the pre-training––and we go for ten more.”

            Apollos whistled like it was an uncommonly large stretch.

            “What?” Johnny asked. “You’ll be sitting in the same classes just like the rest of us.”

            “That a dare?”

            This was simply too absurd, Johnny thought. The barbarian knew nothing of the civilized education system, and he would now probably end up teaching him.

            “Well, unless you’re going to run away and go back to––to––where did you come from, anyway?”

            Apollos rose and took a short stroll across the room. He noticed an electric keyboard sitting on the dresser and a red envelope of music. He pressed his fingers down on a few of the keys but they made no sound.        

            “You play piano?” Apollos said.

            “Sure, everyone does. It’s required. Don’t you play?”

            Apollos abruptly swung around and held his hands down around his waste. He turned the left one up like he was holding an invisible baseball and the right formed the okay sign. “Guitar.”

            Johnny shrugged his shoulders and shifted on the bed. “What’s that?”

            “Oh, you’re kidding! What the hell do they teach you people around here?”

            Johnny blinked. “Piano…”

            Apollos sighed and paced the length of the room. “I know piano, Chief. So anyway, you were talking about running away. Where do you want to go? South to Mexico? East to the orient?”

            “No, no, no. I was talking about you running away, back to where you came from. Which was…?”

            “Can you keep a secret?” Apollos said seriously, and squatted down so his eyes were a little lower than Johnny’s.

            “I think so.”

            Apollos tilted his head towards the ceiling. “Up north,” he whispered. “Way up north.”

            “You don’t mean––”

            The two boys’ eyes connected. Fire burned in the barbarian’s. “Yes, I do mean.”

            Johnny leaned back and let out a long breath. “But…how did you? They let you come here when you’re one of––one of them!”

            Apollos’ eyes remained the same hot orbs of malice. “Oh yes, I, one of them,” he mocked. “But you don’t know who they are, do you? You don’t know what you are, either, or what you people do.”

            “Stop…” Johnny whispered.

            “I’m sure you hear all about it in the classroom. How I was spared for my so-called intellect. One who could be civilized.

            “Stop it…”

            “But what they’re never going to tell you is that your own bylaws condemn this place to hell.”

            “Stop!”

            Johnny was on his feet now, fuming. He thought about striking the barbarian right in the mouth, giving him a free lesson in Felhox policy. He had better pray the cameras weren’t monitoring this outrage, or he’d be dangling from the courtyard tree like so many of his ragged kind.

            The tension broke when Apollos laughed and fell back to the keyboard. He picked up the red envelope filled with sheet music and examined it carefully. “Nothing too peppy,” he noted. “Nothing too somber, either.”

            “It’s the assigned music, if you must know,” Johnny spat. “It’s gone through the acceptance process.”

            A big smile lit up Apollos’ face. “Oh? Really? And what process is that? Try to weed out the Es and B flats?”

            “Look,” Johnny snarled, “unless you want to be kicked out of here, I suggest you keep all your ideas to yourself.”

            Apollos laughed again. “Easy there, John-John. I thought this was an educational institution.”

            This was perhaps the most annoying person Johnny had ever met. Constantly this and that and the other thing. Contradiction here and there and everywhere. He even did it in front of the instructors!

            “Johnny.”

            “Sorry?”

            “My name is Johnny. Not John-John or Jay or whatever else you want to call me.”

            Apollos flipped another page of music. “Johnny’s a funny name,” he said.

            “Oh and Apollos isn’t? What kind of a name is that anyway?”

            Apollos eyed him with disbelief. “The Greek sun god, you know, Apollo? God of the breaking dawn? The Father of Lights?”

            When Johnny gave no signs that he knew what he meant, Apollos sighed and put the sheet music back down.

            “We can’t start this way,” he said. “What do you people do for fun around here? Wait, you do have fun, don’t you?”

            “Yes, as a matter of fact we do. We can watch television from eight to nine, and from eight to ten on weekends, or as holidays permit.”

            “I got some bad news, Chief. It ain’t eight to nine now. What does that leave?”

            “Studying,” Johnny said with a false smile. “Which if you’ll excuse me I have more of to be doing.”

            Apollos laughed and said, “Suit yourself, Chief. Suit yourself. I’ll be walking around somewhere else if you need me.”

            “Unlikely.”

            Apollos turned to leave and the clouded door began sliding open. Johnny flipped his screen onto the desk and placed his thumb on the top right-hand corner. He expected the savage to be gone by now, but all of a sudden his screen disappeared from under him, and he jerked his head up to find Apollos holding it in his hands, grinning.

            “This it, Chief?” he said. “They didn’t give me one of these.”

            Johnny was on his feet with his fists clenched at his sides. Apollos threw up the screen and caught it a couple times and giggled.

            “Give me that…now,” Johnny warned.

            “Yeah? You want it back?”

            A rise of red colors on a panel near the door caught Johnny’s attention. The bars started green towards the base, turned yellow, and were threatening red. The ward monitors would burst in any moment if he didn’t calm himself.

            “Careful, Chief,” Apollos said and smirked.

            “May I please have my screen back?”

            “No.”

            Apollos made a quick dash for the door, which flew open when he tripped the sensor, and Johnny hurtled after him. The interaction alarm went off, and the room slowly filled with a mist, and a soothing female voice said, “Your interaction levels show too much aggression. Please lie down on your beds and close your eyes. Do not continue interaction. Repeat, do not continue interaction.”

            Johnny scarcely caught the last part as he threw off all inhibition and chased Apollos––who was having a merry time of it––down the corridor and one flight of stairs after another. They weaved in and out of students who watched them, unsure whether to be frightened or curious.

            “Give it back!” Johnny roared, and Apollos laughed the harder.

            Soon they were out in the courtyard. Apollos stopped to gather his bearings and noticed the beach was only a few hundred yards away. Johnny saw him turn back, wink, and take off running towards it.

            “That’s mine!” Johnny screamed.

            “I know!” Apollos called back.

            The savage boy was beginning to tire, but Johnny could run another five minutes on fury alone. He began covering the distance between them. When he saw the beast approaching the water, he knew what he was intending to do. He pumped his legs harder than he ever had. Even the worst exercise hours were never this rigorous. When he was in range, he made a flying leap and tackled Apollos to the ground. The two hit the sand with a thud, Apollos laughing hysterically, Johnny doing his best to strike him in the face and stomach.

            “Hooo–––hold on a minute,” Apollos gasped, and laughed even more.

            “You dirty, stingy, uncivilized creature! I’ll kill you!”

            But Johnny soon grew tired of pummeling Apollos and rolled off and joined him on the sand. The savage was still laughing.

            “Didn’t that…feel good?” Apollos panted and turned his head to the side. His brownish-blonde mane was full of sand, and he had a few trickles of blood from the fall running down his forehead.

             All the nerves were wearing off and Johnny felt that fatigued sensation of being completely drained. But it wasn’t like the mind-numbing stupor he often experienced in class. This did, in fact, feel very, very good.

            “You’re a…good runner,” Apollos said. And the two slowly began to laugh again. And they laughed and laughed until tears streamed from their eyes and their stomachs burned and their heads ached.

            When the fit subsided, Johnny rose to his knees, then to his feet. He looked down on his new friend with a smile, then extended his hand. “Come on. They’re probably going to give us hell for this.”

            “You think?”

            “Yeah.”

            “Interaction levels not stable enough for them?”

            Johnny smiled. “Yeah. And I got sand in my screen.”

Suffice it to say, the short meeting went far better than expected. Apollos, who contended to the ward monitor that it was just a game, was very convincing. He explained that since he had no screen of his own he did not realize the importance of it. Plus, it was all in fun. The thing still worked. The two of them were restricted to take their meals separate from the larger group for one week, and all television privileges had been revoked for a period of no less than two weeks, no more than one month, depending upon the future stability of the interaction levels.

            It didn’t bother Johnny at all, especially when eight o’clock came around and the rest of the ward went to the television auditorium for the selected viewings. He and Apollos would sit together in their room and talk. Just talk. It was something Johnny had never done before.

            “There’s a package for you on your bed,” Johnny said one evening just after dinner. Apollos, who was scribbling in an old-fashioned notebook with an even more old-fashioned pencil, looked up. “I think it’s your screen. Better think about starting your Macbeth thesis.”

            Apollos took the black package from the bed and slumped against the wall. After tearing the seal and removing it, the screen came to life and asked for his name and thumbprint verification.

            A few minutes later Johnny was laying on his bed reading a news article about a northern victory, but he switched it off and sat up. Apollos had his head dipped down, his eyes covered by his wild tangle of hair.

            “What was your home like?”

            Apollos looked up. “Up north?”

            “Yeah.”

            “They might be watching.” He indicated the camera hidden within the light plate.

            Johnny leaned forward, eyes alight. “What was it you said? Don’t let them tell you what to learn?” He winked.

            The other smiled at that and set his screen on the desk above him. He leaned his head back into a pair of linked hands and whistled. “Not much to say, I guess. My father went to work in his car while my mother kept the house. My friends and I explored the neighborhood and the woods nearby, swam, things like that.”

            “So why did you come here?” Johnny meant the question honestly, but when Apollos responded with a bitter “Because they forced me,” he regretted asking it.

            “I’m sorry,” he said. “I didn’t mean it that way.”

            Apollos sighed. “I know you didn’t, Chief. I know. The soldiers poured into the town one evening, shooting up the stores and looting, then they came to the neighborhood.”

            “And then what?”

            The smile on Apollos’ handsome face was a sad smile. “Then I came here, Chief,” he said at last, and the story was over. “Then I came here,” he repeated, “and my family didn’t.”

            Apollos arose suddenly and moved towards the door, dragging his feet as he walked.

            “Where you going?” Johnny asked.

            “I don’t know.”

            “Should I come?”

            His friend’s back was strangely cold and distant. His shoulders slumped and his legs seemed frail. “That’s up to you,” he said without turning.

            Johnny thought about it. “I better not. I’ve got a report due tomorrow. They’d rod me if it was late.”

            Now Apollos did turn, and a single droplet of water fell from his magnetic blue eyes. “That’s what I thought,” he said. “Maybe some other day.”

            Johnny meant to ask him something further, but Apollos had already left and disappeared down the hallway. For a moment, he contemplated leaving his screen and chasing after him––perhaps take a swim in the sea again if they could duck the ward monitors. But there was the report. And there was the rod. And he decided to stay. He didn’t turn out his light until his eyelids drooped like they were weighed down with blocks of frozen meat. Apollos hadn’t returned.

Instructor Spritzer turned to the class and said, “I trust you have all completed the rough drafts of your Macbeth theses.” His dark eyes scanned from student to student, searching for any sign of negligence.

            Johnny did not look away. When Spritzer moved on, he glanced over at Apollos, who had turned up sometime after he’d fallen asleep the night before and had dressed and gone to breakfast without him this morning. His thumb was pressed on the little green orb on his desk, and a small buzzer on Instructor Spritzer’s belt began to vibrate.

            “Yes, young man?” he said, and everyone knew by his reluctant tone that he was in no hurry to address what the children had dubbed the Savage Boy.

            “I don’t have mine done,” Apollos said simply.

            Every eye in the room collapsed upon him. Spritzer took a step back and his eyes widened. “Pardon?”

            “I said I don’t have mind done, sir.”

            Instructor Spritzer began to chuckle. “Surely there must be some reason.”

            “There is, sir. The text I was given is inaccurate.”

            “Impossible!” Spritzer spat. “I have read and re-read the text a dozen times. The Macbeth is an exact replica of the accepted curriculum base. It has been produced in perfection. You are mistaken.”

            Apollos was smirking a little. “There’s that ‘perfected censorship’ idea again.”

            Some of the students were laughing until Spritzer turned his glare upon them.

            “Your text is authorized and whole,” Spritzer said calmly. “Yet you have failed to do your assignment.”

            “I will do my assignment when I am given the correct text, Sir. I have read this piece before. It has been tampered with. Entire sections are missing––even the end.”

            A silent chill ran through room. Johnny and his fellow classmates looked hopelessly back and forth between the teacher and the student. Instructor Spritzer wore a frown on his aging face, and he slowly drew the rod from his coat pocket.

            “Come here, Twelve,” he said, addressing Apollos by his seat number. The boy rose and shook his mane of shaggy hair. He walked forward with sure, fearless steps and stood at full attention before the looming instructor. “You leave me no choice, young man.”

            He drew the rod back and Apollos began to quietly speak. “To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day to the last syllable of recorded time.”

            “This is for your own good.”

            The rod plunged forward and struck the boy in the chest. Immediately his words broke and his head raised up in an agonizing scream. Veins on his neck bulged along with his eyes, and his whole body quivered like he had been shot through with lighting from God. His breath quaked with his body, and he fell to his knees, vomit spewing from his mouth onto the floor. Spritzer observed him with a cool smile. The tip of the rod was smoking.

            Everyone in the room except Johnny gasped and turned away. His frozen gaze watched his friend fall and lurch in the midst of a torturous stream of agony. But after a moment on his knees, Apollos looked up and, trembling and weak, continued: “And all our yesterday’s…have lighted…fools the way of…dusty death.”

            “Enough!” thundered Spritzer, and he stuck him with the rod again, this time in the shoulder.

            “No!” Johnny yelled, and scrambled to his feet. Tears stung in his eyes as blood shot from Apollos’ mouth and ears. He fell to his side and shook so fiercely that even the instructor’s desk began to quake. Crimson life spilled over Apollos’ purple lips and onto his paling face. His head rolled to the side, and Johnny saw the pools of magnetic blue calling to him.

            “Out…out brief…candle,” he whispered. Spritzer’s nostrils flared and he drew the rod high above the fallen savage. “Life…is but a walking…shadow…”

            Then the rod fell for the last time, and the lights went out in the young boy’s eyes.

Phoenix

by Jake Perrigo

 

            “Sorry we’re so late,” we said nervously synchronized, as we stampeded through the door of the eighth grade CCD class like two marathon runners making the final push towards the finish line. Sanctuary. We knew we were safe. We had an alibi; we were in the classroom of the Lord. Outside you could hear the sirens simultaneously singing their symphony like a round in the smoky February night. Inside, about two dozen bewildered eighth graders sat staring at us. We could not mistake the look on their faces, grilling us. Why are you guys late? What’s going on out there? Where’s that campfire smell coming from? We didn’t know. We were in Omaha. We were with my brother. We lost track of time. We just got back. We tried to get here as soon as we could. We took our seats. Was that the teacher talking about repentance?

*          *          *          *

            We were running in gym class, outside through the parking lot on a beautifully warm winter day. The sun was shining down brightly, heating our winter doldrums. As we plodded our way around the rectangular lot, Jeff Dick, one of my best buddies, started a conversation. “Cops know two kids were in that field last night and that they might have had something to do with that fire. I heard they have a couple of suspects in mind.” Normally Jeff was like an oak tree: with his stocky build and long stout limbs, he looked as physical as an oak, and with his glasses on, he seemed to be as wise and intelligent as the oak. Even though we were the same age, I still looked up to him. Yet, now with that tone in his voice, he acted as desperate as a sapling. There was no hiding the fear and confusion that had grasped him. He then added that he was going to talk to a Detective Darshaw that night and urged me to do the same. Suddenly, I felt a chill suppress that warm February sun. Was that the teacher asking if we were tired of running yet?

*          *          *          *

            We would meet at Saint Francis Borgia Catholic Church’s catechism building–which lay just out of the grasp of the church’s main entrance–where instead of partaking in our lesson in Catholicism, a group of us would set out on some zany adventures only eighth graders can devise. It wasn’t always Chutes and Ladders trying to circumvent the visual confirmation of peers or worse, teachers, but thy will be done, we somehow always found a way. There was a door on either end of the facility. Above each hovered the buzzing, glowing, parking lot light sentinel. Once we got passed the sentry, however, it was open range.

            Ordinarily there would be about five of us sheep without a Shepherd, but this night was different. While the rest of our renegades sat this pilgrimage out so they could draw closer to Confirmation, two of us voyagers went gently into the dark night.

            We stuck to our simple routine of cutting across the three football field dimension of the plain to seek the consoling wall of trees and the culvert, which helped to conceal the goings-on of the field. Yet, this mediocre obstacle course was more than a landscape to us. It served as a trench for us troops, who would trudge along its torso, emerge honorably on the other side, and as valiantly as a couple of eighth graders could, cross that two-lane highway. Did somebody yell turn around?

*          *          *          *

            Mike Harper was a sickly, pale kid, whose skin made a ghost look healthy. I remember his skin was never baked with a golden brown tan. It was either under white-out conditions or if he was left in the sun for more than ten minutes, his skin turned fire engine red. He was a wiry chap, with lanky limbs, and covered with freckles. That’s what I recall most about the boy who felt proud just to be hanging around with us guys. Mike Harper was the only other person who knew what transpired in that field a week ago.

            I remained quiet, all but physically motionless the rest of gym class that day in eighth grade. I kept pondering if Mike had the audacity to actually rat out his friends for their accidental actions. Would he? Could he? No, he wouldn’t shamelessly portray Benedict Arnold, right? He was our friend, our ally, our brethren. Yet, he was in fact the only person we trusted with our secret of what happened. I felt something begin to settle itself in the depths of my stomach. I tried to swallow but couldn’t. Nothing made sense. I was frantically fumbling and clawing for a light switch in pitch blackness. All I could imagine was the Blair Police Department had someone grant them a gift of information and they somehow had suspicions of who was in that field. Was that a bell tolling?

*          *          *          *

            After our quick trip to the mini-mart, I presented Jeff with a soda I purchased, and once we made our dissent back to the confines of our field, he gave me one of the Camel cigarettes he helped himself to while the shop-keep was pre-occupied. We didn’t even know how to smoke the them, we merely brought them to our lips and tried to figure out how adults worked these things. So, there we sat with our pop and our smokes without a care in the world. We were kings in our uncharted land … field. That, in and of itself, was a total grandeur. Yet somehow, something was missing. Did somebody ask for a light?

*          *          *          *

                        The room was so ordinarily plain. It honestly looked like it was a set from a police drama show; BPD Blue I thought. A long table lay down the center, a couple of concrete chairs on either side. One door provided one way in and one way out. Bright illuminating lights cascaded down over the presumed as they recited their soliloquys. Maybe it was the uncomfortable chair, the stationary strobe light above, or the fact that my parents were flanking me. Everything in that room was eerie.

            It reminded me of waiting in the doctor’s office. After the nurse calls you back and sits you in the chair on center stage, she leaves you there with your anxious thoughts. That’s what Detective Darshaw was doing to me right now. My thoughts kept reminding me that twenty-four hours ago, my parents believed I was still their innocent little boy, who comforted my grandma when my grandpa died. Was that light humming the Lord’s prayer?

*          *          *          *

            A simple little bonfire suitable for Girl Scouts is what it started out to be, but that was not good enough for us; we wanted Eagle Scout difficulty at least. Since we had little or no snowfall that Nebraska winter, we thought it a marvel idea to feed this flame some food. The entrée, of course, consisted of thirsty prairie grass and dehydrated tree limbs. Since this meal was entirely dried out, it had the same effect as kerosene on that campfire. Suddenly, the demon began consuming and digesting the field, and wanting seconds. Our attempts to diffuse the inferno were simply futile. The heat of this exonerated beast was excoriating. All at once, through the heat and pungent smell of blackened wood, it became a revelation what was to happen next. We had to run; however, I was frozen in fear by the flames we had forged. Jeff pushed me. Obediently I ran. Did anybody see us?

*          *          *          *

            Darshaw starred at me with eyes of stone as I stuttered through my speech. I was afraid to look at him. I think it was because his red-hair reminded me all too much of the flames in that field. With every word I attempted to pronounce, he simply nodded, and from behind his mustache would emit an mmm-hmmm to confirm my account of what happened. He then informed me that earlier that night my counter-part had been in to speak with him and gave his confession. Never once did he take his eyes off me.

He notified me that the church did not own that field; rather, an elderly man in a wheelchair, whose backyard was torched that night, did own it. He was being Christian enough to let the church borrow it for certain events, and we repay him by igniting a four-alarm fire that died mere feet from his home after digesting more than three-quarters of the three-football field wide field. Darshaw then expressed that the elderly man didn’t hold our actions against us, for whatever reasons, and furthermore, was not going to press charges against us. Is there somebody above?

*          *          *          *

            The field did re-grow, though it took several years. Eventually the ashes and charred skeletal remnants disintegrated and interred themselves into the earth and new seed began to sprout and new buds began to blossom. If you can catch a glimpse through the inverted mote of trees, you can se that something about that acre-wide ring isn’t like the rest of the field. Passer-bys zipping through may not even be able to distinguish it, but there are a select few that know that on that mild February night a part of that field was marauded, ravaged and robbed of its natural innocence. Through the ashes of time, and with His help, there has been bestowed a new and beautiful landscape that outshines the old.

Without a Saddle

by Luis Jaco 

When I was two years old, I started riding horses in Honduras with my father. He used to take me with him everywhere on his horse, and that is why I thought I was an expert at riding horses. I always said, “I will never fall off of a horse.”

My family owns a ranch on the outside of Ocotepeque, which is my hometown in Honduras. It’s a small but very beautiful ranch at the foot of a mountain full of pine trees, which gives the air a fresh smell. I used to go with my dad every morning before school started to help him milk the cows. My dad has always raised cows and horses. I have always admired my dad because he is never afraid of anything; he thinks everything is possible. He is not a tall man, but he always has a big desire for working. He is the one who taught me everything I needed to do on a ranch, like how to take care of the cows and ride horses.

When I was about eleven years old, I was old enough to help my dad do some of the chores on the ranch, but I didn’t have my own horse yet. One day I told my dad, “I am ready to have my own horse. I know how to take care of it, and I will be responsible.”

 My dad just smiled and told me,“ If you think you are ready, just let me know when you see one that you like, and I will see if we can buy it. But you have to be very careful when you make your decision.”

When he told me that, I was very happy. It was the best day of my life because I was finally going to have my first horse. I started thinking how I wanted it to be. I was not going to get the first one I looked at. It had to be perfect; it had to be young with a long tail and a black or red coat.

A few days later, my dad and I were riding two of his horses to a mountain, which was about two hours away from our town, to see some cows that my grandfather owned. Trees surrounded the small path to the mountain, and I could tell by the smell that most of them were pines. On the mountain, everything I saw was green. It had a lot of trees and a little stream where the cows were drinking water.

On the way back, we passed through a very small village, which had only five houses. And there it was, the best horse I had ever seen in my life, just as I had imagined it. It was a dark red, male horse, very young, only one year old. It had a long black tail, and it was not too tall because it was still growing up. That was the perfect horse; that was the horse I wanted, so I told my dad that I liked that horse and he said, “Well we’ll see.”

The horse was eating outside of a small white house, and there was a boy feeding it. My dad went to him and asked him who the owner was. The boy said it was his dad and he was inside. My dad went inside of the house, and I waited outside; I was very nervous. After a while my dad came out and said, “Let’s go son.”

I was very disappointed because I thought that my dad didn’t buy the horse, and then he said, “We’ll come back tomorrow to get the horse.”

In that moment, I thanked my dad. I was very excited; I finally had a horse, my own horse. When we got home, I told everybody that I had a horse and that I was going to get him the next day. I couldn’t sleep at all that night. I started thinking about names, and I decided I was going to name him Cometa.

The next day, my dad and I drove my dad’s old, blue, pickup truck to the village to get him. I couldn’t believe it; we were going to get my horse, my new friend, the one that was going to take me everywhere I wanted. When we got there, it took only a few minutes for my dad to close the deal, and then we were ready to go. But there was something wrong, something that neither my dad nor I thought about. How were we going to get the horse to the ranch?

 We didn’t have a saddle, and it was too far away from the ranch to walk, but for my dad nothing is impossible. He told me that I had to ride the horse home without a saddle, just with a lasso that we put on the head and mouth of the horse for me to guide it. I had done this many times before on our ranch, but not for long distances, and the ranch was about one hour away; but I decided to do it. It was going to be my first time riding my horse, Cometa; it was going to be our first adventure.

My dad had to drive home one way, and I had to take a path through the mountains that was closer. When I got near the horse to get ready to leave, I felt the soft hair and the fresh smell of the young horse. When I got on the horse, dad told me, “ Be careful son; don’t go too fast and hold very tight.” Then he asked, “ Are you sure you can do this.”

I just laughed and said, “Oh please, Dad, you know I’m an expert at riding horses. I have never fallen off a horse, and I never will.”

Then my dad said, “You must never say never; there is always a first time for everything,”

“Not for me,” I said.

My horse and I started on our way to the ranch. The path was very narrow and rocky; it was in a really bad condition. Usually when I ride a horse for the first time, I am a little afraid, but this time was different. This was my horse. This was Cometa.

I was very glad to be riding my own horse; I felt that there was a good “communication” between us.  After twenty minutes of going slow, I decided I wanted to get home sooner to show everybody my horse, and I wanted to know how fast the horse could run. The path was a little better because there weren’t as many rocks, so I started going faster and faster. It felt really good. I wasn’t afraid at all. I was very confident.

 Then I saw a little hole, about the size of a small tire, on the path, but I didn’t give it much importance. I thought it wasn’t going to be a problem for the horse, but it was for me. The horse stepped in the hole and jumped. Since I didn’t have a saddle, there wasn’t anything to hold on to. Somehow the horse threw me forward, and I was ejected into the air; I was flying. The landing was very painful because I landed on the hard ground and some small rocks. There I was, sitting on the grass. I couldn’t believe what had happened; I had fallen off a horse, my horse.

First I thought it was just my imagination or a dream, a nightmare really. Me falling from a horse? That can’t be real. But then the pain in my rear made me realize that it was real. It really did happen. I fell off of my horse, and it was entirely my fault. I wasn’t careful.

My pride was hurt. I was always talking about how good I was at riding horses, but there I was on the ground. I was very disappointed. In that moment my dad’s words came to my mind, “There is always a first time for everything.”  That made me realize that everything was okay. My first time falling off of a horse had just happened, and it would never happen again. I stood up and looked back at the horse. Nothing had happened to Cometa, thankfully. He was just waiting for me to get on again, as if nothing had happened. 

A few minutes later, I got back on the horse and continued on my way to the ranch, but this time more carefully. After a while, I regained my confidence. It seemed like the horse and I understood each other better.

When we were finally close to the ranch, I saw that my dad was already there with my grandfather. They were outside of the ranch’s gate talking and waiting for me. When I saw them at the front entrance of the ranch, I started going fast because I wanted to show them how good the horse was, and I also wanted to forget about what had happened before, my fall. When I was about to get to the entrance, the wind blew up a black plastic bag and scared the horse. He jumped and without the saddle I couldn’t do anything but close my eyes, fly through the air and fall. When I opened my eyes, my dad was already standing by my side. He helped me up and he told me, “You must never say never.”